가마에서 구운 유약 여행 접시 제작 프롬프트

Create a standalone "Kiln-Transmutation Glaze Travel Plate" comparison poster for each travel photo I upload. Generate each photo separately - no multi-image stitching, no nine-grid layouts, and no mixing of different scenes. Use a 3:4 vertical dual-panel composition, with the upper and lower sections close to a 1:1 ratio, separated by a clean, straight horizontal boundary. The upper half preserves the original photo in full. Faithfully maintain the identity, quantity, orientation, architectural structure, landscape relationships, figure poses, viewing angle, natural lighting, and original colors of the subjects. Apply only light art-publication-grade color grading - no illustration effects, no sky replacement, no adding or removing people, no altering buildings, and no reshaping terrain. The lower half extracts the single most recognizable subject from the same photo - such as a standalone building, pavilion, tower, boat, vehicle, tree, animal, person, or a mountain with a clear silhouette - and reconstructs it as a real, handmade kiln-transmutation ceramic travel plate. Do not print the photo directly onto the ceramic plate. Re-edit and reorganize the scene according to the ceramic medium: - Keep one core subject; - Keep 2-4 necessary environmental cues; - Remove complex urban backgrounds, repetitive buildings, irrelevant tourists, and photographic noise; - Reduce distant mountains, clouds, water ripples, foliage, or roads into a small number of clay layers and glaze color zones. The ceramic plate is circular, oval, or an irregular hand-pinched shape that echoes the subject's silhouette, occupying about 62%-82% of the lower half's width. Place the plate on dark fabric, natural linen, or a quiet tabletop, with about 25%-38% of continuous low-information negative space around it. Must show real ceramic structure: - Imperfectly regular hand-pinched edges; - Visible clay thickness and unglazed plate rims; - Slight warping and asymmetry; - Natural, short contact shadows; - Engobe, underglaze, wax-resist reserves, and high-temperature kiln-transmutation marks. The subject's silhouette is formed with raised clay coils, incised lines, glaze grooves, and exposed-clay edges - not smooth digital outlines. Different colored glazes should naturally pool in grooves, depressions, and along contour edges, showing flow, crystallization, crawling, pinholes, granules, crackle, and partial exposed clay. Derive 5-8 glaze colors from the original photo, preserving the most important warm-cool relationship of the original image. For example: - Water surfaces can form flowing celadon, cobalt blue, gray-blue, or ink-green glazes; - Mountains can use iron black, smoke gray, ochre, or blue-gray crystalline glazes; - Autumn leaves can form rust-red, amber, and ochre glaze pools; - Clouds and mist can use milky white, gray-blue, and translucent glaze layers; - Buildings, boats, and tree trunks remain recognizable through exposed-clay lines and dark glaze grooves. Do not fix all photos into blue-white porcelain, blue-and-white ware, or a uniform bird-and-flower palette. Every plate's glaze colors must come from its own photo. Add a small separate ceramic tag, or press the text into a wide plate rim. The text includes: 1. A thematic title of 1-3 English words; 2. A numbering field in the form of "GLAZE STUDY 01"; 3. A short observation sentence of 5-12 English words. The text must look pressed or incised into wet clay, with glaze settling into the recessed letterforms. The lettering has slight handmade irregularities but remains clearly legible at chat-preview size. No smooth floating digital typography. Overall, present a blend of handmade ceramics, kiln-transmutation glaze, travel souvenirs, and contemporary editorial design. The plate should feel like it has real weight, thickness, and the unpredictability of firing - a one-of-a-kind, collectible travel object. Avoid: photo-transfer plates, factory decals, smooth porcelain printing, ordinary circular landscape paintings, cheap ceramic souvenirs, fixed blue-and-white borders, overly refined realism, plastic 3D, smooth CGI, tableware staging, food, chopsticks, fictional landmarks, artist signatures, imitation marks, Chinese seals, logos, watermarks, and garbled text.