접힌 표면 돛: 사실적인 종이 접기 사진 효과

Applies to any input photo. The original photo is preserved at the top of the frame as a clear, complete factual reference; below, the same photo is fully printed on a matte paper surface with real weight and thickness, naturally forming 1-2 large-scale, flowing folds or undulating curves based on the flow, posture, or dominant spatial direction of the subject. The paper must exhibit real physical bending: localized lifting, pressing down, curling, or slight suspension, with accurate contact shadows and spatial occlusion. The people, buildings, scenery, textures, and perspective relationships in the original photo continuously span the folds, shifting spatially with the true curvature of the paper - no tearing, no redrawing into another image, and no adding unrelated objects not present in the original. Focus on using the folds to reorganize the scale, hierarchy, and spatial relationships of the original image, giving the flat photographic image a sculptural or paper-art-like dimensional tension. The paper edges may reveal subtle core thickness, crease marks, and light natural wear, but the overall effect remains restrained and realistic. The background uses a large warm white or off-white empty field with soft, natural lighting, emphasizing the paper's volume, fold lines, and shadows. A single line of minimal, restrained handwritten observational text may be added in the blank area, like a photography note or exhibition caption. The overall effect should be like "a real photo printed onto a bendable physical surface," not a water-ripple filter applied to the photo. Avoid: liquid water ripple effects, digital distortion filters, regular sine waves, cheap 3D deformation, fragmented origami, excessive creases, multi-image collage, repeated subjects, extra decorative elements, or overly artistic redrawing.