Vox風歴史ドキュメンタリーアニメーション：バンドン・ラウタン・アピ（1946年）

Scene 1 (10 detik): 10-second historical documentary animation, landscape, in Vox-style narration. The background is a map of South Bandung 1946 on golden yellow parchment with burnt texture and black smoke stains, complete with latitude and longitude grid lines, southern evacuation route, TRI Division III stamp, paper folds, and faded brown water stains. A young freedom fighter in khaki attire with a red-and-white headband carrying a small torch, departs from a paper-cut illustration of the central South Bandung area, gliding lightly along the green route of railway lines and city streets toward the south. Each time he passes a location, the figure scatters several glowing paper scraps into the air, which spin and transform into burning house icons, family carrying belongings icons, scorched earth order icons, and small flame icons. The route passes Jalan Braga, Alun-alun Bandung, the Tegallega area, and Banceuy. On the side of the screen, vintage paper-cut stickers appear in sequence: Allied forces sticker in the north, mass civilian evacuation sticker, Colonel Nasution's order letter sticker, and important building beginning to burn sticker. The figure finally arrives at the southern edge of the city, sets down the torch, and looks back with a resolute yet sorrowful expression while holding the hand of a child refugee. In the closing section, thick smoke billows and forms curved map lines connecting the center of South Bandung and the initial evacuation route. Flowing dynamic graphics, paper collage style, with a palette of fighter khaki green, earth yellow, dark brown, and cream white, creating a warm, restrained, and historically evocative atmosphere. Scene 2 (10 detik) lampirkan frame terakhir dari scene 1: The frame begins from the last frame of the previous scene (the attached image), 8-second historical documentary animation, landscape, in Vox-style narration. The background is a map of Bandung to the southern mountains 1946 on golden yellow parchment with increasingly burnt texture and black smoke stains, complete with latitude and longitude grid lines, evacuation routes toward Dayeuhkolot and the hills, TRI stamp, paper folds, and faded brown water stains. A young freedom fighter in khaki attire with a red-and-white headband carrying a small torch, continues gliding lightly along the green southern evacuation route through villages. Each time he passes a location, the figure scatters several glowing paper scraps into the air, which spin and transform into ammunition warehouse explosion icons, long refugee procession icons, waving red-and-white flag icons, and a sea of fire on the horizon icons. The route passes through the Cicadas area, Dayeuhkolot, the path toward Pameungpeuk, and the slopes of the southern hills. On the side of the screen, vintage paper-cut stickers appear in sequence: Mohammad Toha at the gunpowder warehouse sticker, black smoke filling the sky sticker, future flame monument sticker, and faces of people looking back sticker. The figure finally arrives at the peak of the southern hills, sets down the extinguished torch, and sits quietly gazing at the sea of fire in the distance while holding a fellow refugee's hand with restrained tears. In the closing section, smoke and embers billow and form curved map lines connecting the burning South Bandung with the refugee mountains. Flowing dynamic graphics, paper collage style, with a palette of fighter khaki green, earth yellow, dark brown, and cream white, creating a warm, restrained, and historically evocative atmosphere.