Modèle de prompt pour conception d'affiche éditoriale

【主题】：____ 【中文标题】：____ 【英文标题】：____ 【核心主视觉】：____ 【异形图像方式】：不规则窗口 / 主体破框 / 局部切片 / 图像融合 【压角方式】：巨字残片 / 双角压入 / 主体破框 / 图形压角 【辅助视觉系统】：____ 【背景信息层】：____ 【主色调】：____ 【强调色】：____ 【日期 / 机构】：____ 【画面比例】：9:16 Generate a high-density poster with a strong editorial design sensibility and cultural exhibition character. The core objective is not to reduce information, but to establish a clear visual hierarchy that allows large-scale Chinese typography, irregular main imagery, lines, graphic elements, small-scale information, and background textures to coexist simultaneously, achieving a layout effect of "organized chaos." First determine 1 absolute primary visual anchor, then set 2–3 secondary visual anchors. The primary visual can employ irregular cropping, contour windows, partial frame-breaking, or image fusion - avoid using a simple rectangular photograph. The large-scale Chinese title must genuinely participate in the composition, whether through edge compression, partial cropping, or interlocking with the main image, becoming part of the layout structure rather than merely placed beside the picture. Maintain medium-to-high information density, incorporating bilingual titles, dates, institutions, short descriptions, vertical text, localized legends, data, coordinates, lines, or small image slices - but different elements must exhibit clear scale differentiation. Create strong typographic jumps between oversized characters, mid-sized headlines, and micro-information; do not keep all text sizes similar, nor distribute content evenly across the entire frame. The entire poster should use only one set of auxiliary visual language related to the theme. For example, urban themes use route and block graphics, conceptual themes use flow lines and image fragments, nature themes use botanical line drawings and specimen information, meteorological themes use isobars, wind directions, and radar charts. Do not stack multiple unrelated decorative systems simultaneously. The background must also participate in the design, incorporating extremely faint patterns, maps, structural diagrams, archival text, data remnants, or material textures to give content to negative space - but the background layer must remain clearly subordinate to the main subject. Allow text over images, images breaking frames, lines crossing regions, and small image slices layered into the layout. Enhance the postmodern editorial feel through partial occlusion and intentional misalignment, but all elements must be organized around a single visual center. Maintain 1 primary anchor + 2–3 secondary anchors throughout, avoiding genuine chaos. Restrict color to 3–5 primary hues, establishing a clear chromatic stance - either high-saturation main colors paired with black and white, or a unified monochromatic system. Do not let multiple high-saturation colors compete on equal footing. The reading sequence should be: first glance captures the main subject and oversized corner typography; second glance discovers the irregular imagery, graphic, and line relationships; third glance reads dates, descriptions, data, and marginal information. The final result should resemble a mature cultural exhibition poster, design school visual, or editorial publication: information-rich, multi-layered in complexity, with localized collisions - yet maintaining a clear visual center even when scaled down. Do not produce an infographic-style PPT, nor randomly fill the frame merely for the sake of "complexity."