Scène d'action cinématique avec des zombies et maniement d'épée wuxia

Seedance 2.5, 20s, 16:9, photorealistic sci-fi ruined city plaza, grounded wuxia sword action, real-time motion, no subtitles, only one English dialogue line. REFERENCES Alin: platinum-blonde woman, white fitted camisole, blue jeans, brown belt, tall dark-brown boots. Lisa: short golden-blonde hair, brown shearling-collar jacket, corset, short skirt, thigh strap, brown boots. Car: rust-red modified muscle car, worn patched body. Hia: black pinned-up hair, dark navy-black and burgundy embroidered outfit with aged-gold details and ribbons, straight double-edged sword already drawn in right hand, no scabbard. Zombies: include tall hoodie man, stocky worker, office woman, elderly man; all others varied. Location: ruined city plaza with broken towers, abandoned vehicles, cracked paving, rubble, daylight from camera-right. SPACE / CONTINUITY Car is centered in the plaza, hood facing the open avenue and distant towers. Alin and Lisa remain beside opposite front fenders for the entire scene. A loose ring of zombies slowly closes in from several meters away, moving irregularly through rubble and abandoned cars. Hia enters only at 5.5s, lands on the hood, then advances away from the car into the front sector. All sword action and energy travel away from Alin and Lisa. Keep the car, front opening, distant towers, hood dent, fallen bodies, dust, and black blood consistent across cuts. CAMERA Hard cuts only at 3.5s, 5.5s, 7.0s, 16.5s. 0.0–3.5: high angle oblique wide shot, slowly descending. 3.5–5.5: side two-shot with both women and hood visible. 5.5–7.0: lower three-quarter shot with hood and both women. 7.0–16.5: one continuous wide three-quarter side tracking shot following Hia, keeping feet, full sword, and nearby zombies clear, never crossing the car-to-avenue axis. 16.5–20.0: medium two-shot of Alin and Lisa beside the car, Hia further ahead. 0.0–3.5 The ring closes. Start with car, Alin, Lisa, and surrounding zombies already visible together. Zombies shuffle inward unevenly; hoodie man drags one foot, worker steps over rubble, office woman squeezes past bodies. Alin and Lisa stay alert and steady. 3.5–5.5 Alin studies the thinnest point in the front ring and the nearest zombie, calm and controlled. Lisa scans the opposite side, briefly checks Alin, then keeps watch. A rush of fabric comes from above; both begin to react upward. 5.5–7.0 Hia drops onto the hood with heavy force. Hood dents, suspension dips, dust jumps. Her sword stays outside her body line and pointed away from the women. Lisa reacts first with a blink, raised shoulders, half-step back. Alin reacts a beat later, protective forearm up, eyes locking onto Hia’s sword hand. Once they recognize her, they stop retreating but stay guarded. Hia ignores them and focuses on the zombies beyond the hood. 7.0–9.0 Hia pushes off the hood, lands between car and front-row zombies, and delivers a descending diagonal cut from upper right to lower left. Brief blade resistance, short black spray, the struck zombie twists and crashes into the one behind it. A narrow cold-white blade trail fades immediately. Hia moves forward without resetting. 9.0–13.5 In the same tracking shot, Hia flows directly into a reverse horizontal cut, then a diagonal passing step between opponents, then a turning cut toward the opposite flank. Every stroke begins from the previous sword position. Same right-hand grip throughout, no idle spins or neutral resets. Direct hits create brief black sprays and staggered collapses. Falling zombies trip others behind them. Ribbons and skirt panels snap with each change of direction. Alin tracks Hia’s route; Lisa’s lips slowly part in shock. 13.5–16.5 Still in the same tracking shot, zombies begin closing the gap from both sides. Hia plants and releases one larger horizontal stroke. Only this final stroke emits a thin pale cyan-white fan of sword energy extending forward along the real cutting plane, away from the car. Zombies in that sector are hit near-to-far, with small black sprays, recoil, collapse, and dust spreading in the same direction. A clear passage opens in front of the car. Zombies outside the sector remain standing. Hia settles grounded, sword tip angled down, still watching remaining threats, never turning back. 16.5–20.0 Medium two-shot beside the car, Hia ahead between the women and the surviving zombies. Alin slowly lowers her guard and studies Hia. Lisa looks at the new opening, then at Hia, raises one hand to her mouth, stunned, then turns slightly toward Alin. At about 18.2–19.1s Lisa quietly asks: “Who is she?” Natural adult female English voice, breath-caught, light emphasis on 'Who', slight rise in pitch, not shouted. Alin does not answer. Hold the final relationship until 20.0s. STYLE / FX / AUDIO Zombie blood is opaque viscous ink-black, only at real sword contact points, brief and directional, no gore, no dismemberment. Lighting: warm daylight from camera-right, soft readable faces, restrained cyan-white sword light only near the blade. No music. Use wind, distant groans, dragging footsteps, cloth and armor sounds, sword whooshes, contact thuds, body falls, soft hiss of energy, stronger air-shear on the final arc. Only Lisa speaks once. NEGATIVE No red blood, no subtitles, no narration, no text, no watermark, no black bars, no extra dialogue, no extra weapons, no armor ghost, no duplicate people, no extra limbs, no teleportation, no hovering, no morphing, no random montage, no full-screen energy blast, no total wipeout of the whole horde.