뱀 모양의 서예적 여행 초상화 잉크 아트

Please transform each travel photo of a person I upload into an independent, premium paper-ink editorial poster - no multi-image collages, each photo output separately. Overall use a 3:4 vertical double-panel composition: the upper section keeps the clear, authentic original photo, and the lower section re-renders the same person as a "flowing serpentine travel ink portrait"; the boundary between the two sections is horizontal, crisp, and quiet, with no fogged transitions. The upper section occupies about 45% - 50% of the frame and faithfully preserves the original photo. Accurately maintain the person's identity, number of people, face shape, gaze, smile or expression, hairline, wind-blown strands, body posture, phone or carried items, and the real relationship between the person and the travel environment. Apply only light art-publication color grading and an extremely thin film-grain treatment; do not perform any realistic image manipulation. To fit the frame, you may naturally extend sky, water, or quiet background areas, but you must not redraw the face, alter posture, add or remove people, stretch, mirror, or distort the subject. The lower section does not simply copy the photo scene; instead, it reorganizes the person through a combination of reduction/refinement and selective enlargement. The head or half-body occupies about 55% - 78% of the lower panel's width, retaining the most identity-confirming traits: face shape, gaze, smile, hairline, and body direction; phone, hands, scarf, etc. are kept. Remove the complex background, and arrange the person together with two or three lines derived from the original photo's wind, hair strands, clothing ribbons, smoke, or water flow into an uncluttered paper-ink portrait. Use rapid hair-like structural lines, dry ink, flying white, broken strokes, and extremely fine serpentine linework. Keep large areas of the face in warm white paper tone, and clearly place a few accurate, lively ink lines, textures, strokes, and contours - concentrated on the hair, collar, and a few structural lines. Naturally extend two or three long, elastic, serpentine or wind-like flowing lines from the person's real hair, scarf, or environmental flow, letting the lines coil, intersect, or abruptly stop across the paper surface. Here, "serpentine" refers only to calligraphic curved rhythm - do not include realistic snakes, Medusa, horror narratives, mythological characters, or totemic patterns. The lower section must retain at least 40% continuous warm white paper surface; ink lines may extend outward but must not fill the edges completely. Color is primarily black, white, and paper white; keep it restrained, preserving paper fiber, ink density variation, inward edges, and flying-white breathing space. In the paper-white area, add a light, clear set of text. Based on the action, wind, light, or state of the person visibly present in the photo, distill a 1 - 3 word English title; the main title uses a small heading, and the handwritten signature line uses a small heading or faint ink margin note. Add the numeric field "INK NOTE 01" and a single observation sentence of 5 - 12 English words. If the location cannot be confirmed, use the title "WIND TRACE" and the observation sentence "Loose lines remember how the air once moved." The text must not impersonate an artist's signature; do not add pen names, fake seals, account handles, logos, QR codes, long prose, or gibberish. Overall, the piece should carry the character of contemporary watercolor figure studies, travel sketches, and premium editorial publishing: restrained, light, wind-swept, with the person clearly recognizable and not over-polished. Avoid: dense backgrounds, comic halftones, ribbons, realistic snakes, horror effects, tattoo patterns, pseudo-calligraphic signatures, fake seals, decorative patterns, and full-image watercolor filters.