레트로 흑백 문화 포스터 디자인
Wikiprompt, 무료 프롬프트 백과사전에서
레트로 흑백 문화 포스터 디자인 흑백 배경의 레트로 문화 포스터 생성용 상세 프롬프트로, 강한 플랫 디자인, 고대비 타이포그래피, 그리고 레이어드된 기하학적 구성을 특징으로 합니다. 제한된 잉크, 반복된 스크린, 수동 조판을 통한 인쇄풍 미학을 강조합니다.
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프롬프트 내용저장
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Structure any future theme into a black-background, strongly flat retro culture poster: first glance shows a large-scale high-contrast title and a set of theme graphics repeated along depth with layered misalignment, where text and images together form an oppressive black-and-white geometric composition, not separate information zones. Use a near-pure black background to carry heavy warm white text, with small amounts of dark reddish-brown or old gold reserved only for thin horizontal lines, captions, and subtle accents; let the large title dominate the upper visual weight, and split information into several nested cards with black backgrounds and white borders, interspersing theme objects along diagonal or stepped paths to create a spatial rhythm like a printed layout being continuously duplicated, smeared, and misregistered. The main subject of the future theme should be broken into repeatable outlines, borders, or layered slices, sharing the same hard-edge ink logic with cards, titles, and thin lines, forming a relationship where text and images overlap, interpenetrate, and nest. Typography uses high-contrast, narrow, and sculpted forms: thick stems, clear weight contrast between horizontal and vertical strokes, sharp or slightly irregular cut ends, hard turns, and narrow inner counters while maintaining long-distance legibility; regardless of the writing system, maintain tight letter spacing, strong line-height contrast, and a reading rhythm from large block titles to small annotations, with punctuation, diacritics, or other text marks obeying the overall geometric axis. Images retain only minimal shapes that support theme recognition, using black, gray, warm white layers and hard outlines, without soft gradients, commercial polish, or decorative details. Preserve low-resolution duplication, slight misalignment, rough edges, uneven local ink coverage, and restrained traces of old printing, but do not fabricate severe damage; the whole must look like a flat system completed with limited ink, repeated screens, and manual typesetting.
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