실내 리얼리즘 인물 사진, 디테일한 스타일링 포함

Prompt：hyper-realistic indoor bedroom/hotel room portrait photography, vertical format approximately 4:5, a young adult East Asian woman sitting on the edge of a bed or soft pad, body turned in three-quarter view toward the camera, shot from a close low-to-medium angle. The subject is positioned slightly right of center, occupying about 78-82% of the frame height, composition from the top of the head down to the mid-lower leg, with one bent thigh crossing horizontally in the lower foreground. Using approximately 35-50mm equivalent lens, shooting distance about 1-1.5 meters, maintaining realistic phone/compact camera indoor portrait perspective, no fisheye, no obvious background blur. The subject has very noticeable but real and natural voluptuous upper body proportions: medium-to-small bone structure, shoulders moderate to slightly narrow, upper body clearly full, chest volume large while maintaining realistic natural gravity; below the bust quickly tapers into a slender waist, with a flat and soft abdomen; pelvis and hips noticeably wide, hips full, thighs thick at the top. In the seated position, the thigh closest to the camera spreads horizontally due to the bent knee and produces soft tissue compression, with obvious visual volume, but do not generate muscular legs, narrow hips with thin legs, or abnormally exaggerated body proportions. Overall focus is on: full upper body; slender waist; wide hips; very full thighs. The subject sits sideways on the edge of a light beige mattress/soft pad, pelvis close to the right side of the frame, upper body slightly leaning back toward the subject's right. The right hand reaches back to support on the bed or pad surface, palm pressing down to brace the body, causing the right shoulder to open slightly backward; the left leg is bent at the knee and raised significantly, with the knee positioned in the lower-left to central area of the frame, close to the camera forming a clear foreground element, the thigh running horizontally across the lower part of the frame. The other leg is beneath the body and mostly hidden. The waist forms a soft S-curve between the backward-leaning upper body and the offset pelvis. The head tilts slightly to the subject's left and lowers a bit, chin gently tucked, eyes looking at the camera or slightly away from it, expression calm, with a hint of detachment and languor. Lips naturally closed or slightly parted, no toothy smile. The subject has very dark black to dark brown extra-long straight hair, reaching around waist length, thick and voluminous. Natural center part with a slight side shift, with long, sparse, slightly messy airy wispy bangs at the forehead, several strands falling near the brows, eyes, and cheeks. Most of the long hair falls down along the left shoulder and chest, while the rest extends along the right shoulder and back. No short hair, thick blunt bangs, or big wavy curls. The face is small with a slightly oval shape, soft jawline, fair skin with warm undertones. Dark brown almond-shaped eyes, natural double eyelids, fine eyeliner, lashes visible but not overly exaggerated; eyebrows naturally flat. The nose bridge is small and straight, lips naturally full, nude pink with a hint of dusty rose, cheeks with a slight pink blush. Skin retains real pores, subtle sheen, and natural skin tone variation, no plastic smoothing. The upper body wears a low-saturation gray-khaki/light olive-gray loose open-knit top, overall soft, thin, loose, slouchy knit fabric with numerous obvious horizontal and wavy woven textures. The neckline is very wide and low, an angled V-neck/asymmetric low neckline, with one side of the shoulder and neck area largely exposed, the fabric draping diagonally from the right shoulder across the chest, forming a clearly asymmetric neckline. The knit top is overall loose, but at the waist it is gently cinched by a thin matching drawstring, tied in a knot at the front center or slightly left of the abdomen, with two cord ends hanging naturally. The chest area of the knit top, due to the low neckline and diagonal wrap structure, reveals a light gray-green/gray-beige fitted low-neck inner layer beneath, with only a narrow edge and a small button visible at the top. The knit texture must be clearly realistic, showing different thicknesses of yarn, loose openings, wavy patterns, and natural stretching, do not generate a regular sweatshirt, sweater, or smooth knit fabric. The sleeves are very loose and long, the right sleeve drapes naturally along the arm and bunches near the wrist, while the left sleeve mostly falls outside the body following the posture. The cuffs and hem have slight loose curling, the fabric overall soft with a sense of weight. The lower body wears black extremely short fitted shorts or ultra-short skirt shorts, with only a small amount of black fabric visible near the hips and upper thighs, mostly covered by the knit top and the bent thigh. The bottom remains matte black, no pattern, not denim material. The legs wear black/dark gray-black ultra-thin sheer pantyhose, approximately 10-15D, with obvious skin-through effect. The hosiery clings tightly to the legs, with skin tone naturally showing through the dark sheer fabric. The bent thigh closest to the camera is slightly more transparent due to fabric stretching, while the curves of the knee, calf, and thigh remain realistic. The hosiery surface has slight silky reflection under indoor lighting, but do not turn it into shiny latex or opaque black tights. The scene is a real, slightly cluttered modern bedroom/hotel room. Behind the subject, slightly left of center, is a large black flat-screen TV, screen off, surface deep black with reflections; the TV sits or is mounted on a dark brown-black wooden low cabinet/dresser. The cabinet has gold semicircular or shell-shaped metal handles, with a few everyday items, a small camera/white device, tissues, and miscellaneous objects scattered on top. Hanging from the upper-left corner of the TV is a black soft hat/knit cap, with a light cream-colored band around the opening, the hat hanging naturally near the corner of the TV. The right side of the background features a full-length dark olive green/ink green heavy curtain, extending from ceiling to floor, with obvious fabric folds. Next to the curtain, against the wall or near the bed, a bright yellow plastic bucket/storage bin is partially visible, with only a portion of its outline showing. On the left side of the frame is a light-colored door with a white door frame, with a metal lock/round lock on the door; the background wall is warm white to light beige-gray. The floor is light wood grain. The seated position is on a light cream-yellow/beige mattress or pad with soft fabric texture on the surface. Lighting uses warm white indoor ceiling light; soft phone auto exposure, overall bright but not harsh. The face, chest and shoulders, knit top, and thighs are clearly visible, with natural warm skin tone. The TV and dark green curtain form a dark background, making the subject naturally stand out. No strong flash, no cinematic hard rim lighting, no obvious studio feel. Overall, it has a real social media indoor casual shot/phone portrait quality, high-definition but not overly retouched, with slight phone HDR, natural sharpening, and a small amount of high-ISO digital grain. Emphasis on realistic details of long black hair, skin texture, loose knit weave texture, sheer hosiery skin-through, dark TV, green curtains, and indoor clutter. Key focus: long black straight hair; messy airy bangs; full upper body, slender waist, wide hips, very full thighs; sitting sideways on the bed edge in three-quarter view; one leg bent significantly close to the camera occupying the foreground.