식물 재건 포스터 디자인 프롬프트

I will create one independent, high-end design poster for each photo you upload, with no multi-image collages - each photo is output separately. The overall format is a 3:4 vertical composition, with the upper and lower zones strictly at a 1:1 height ratio, each occupying 50% of the frame. The upper half preserves the original photo, maintaining the subject's structure, authentic texture, natural lighting, and original color atmosphere, with only subtle high-end photographic color grading to give it the quality of an art magazine, independent publication, or exhibition photograph. To fit the aspect ratio, the sky, ground, or environmental background may be naturally extended, but the subject must not be stretched, distorted, or altered. The lower half extracts the most recognizable **subject, silhouette, posture, and narrative relationships** from the photo and reconstructs them as an editorial illustration assembled from real, natural materials. Use clearly identifiable leaves, petals, branches, fruits, seeds, grass stems, bark, or dried leaves, directly utilizing their original shapes, textures, color variations, and irregular edges to compose the subject. Do not cut the plants into overly precise geometric forms, and do not wrap the plants in illustration outlines; let viewers both recognize the original subject and clearly see that it is skillfully assembled from real natural elements. The composition establishes order with a simple rectangular color field or paper area, but without deliberately drawing a complete border. The subject maintains a natural inside-outside relationship with the rectangle, mostly falling within the color field while a few of the most directional parts naturally extend beyond the edge, creating a relaxed sense of overflow - as if the plant simply grows out of the layout, rather than posing deliberately to "break the frame." Maintain generous negative space, a clear focal point, and asymmetry, allowing the serendipity of natural materials to coexist with the order of editorial design. Black lines appear only as **minimal auxiliary language**, never as a full outline for the subject. They may be used for eyes, mouths, minimal expressions, subtle action cues, local connections, short strokes, handwritten marks, or slight visual rhythm in the layout; the lines should be thin, loose, and slightly hand-drawn in feel, letting the plants themselves carry the subject's form and silhouette. The color palette is drawn from the most vibrant and recognizable color character of the photo above, then re-translated through the natural colors of the plants themselves. Preserve the true combined color variation of leaves, petals, fruits, and dry branches without over-unifying the dye; the background uses light or softly blended colors harmonious with the original image, making the natural materials the visual center of the composition - fresh, restrained, and alive without clutter. Text remains minimal and functions as a lightweight element in the editorial design. Extract a short English title and a few micro-notes from the photo's mood, action, relationship, or metaphor, which may sit near the edge of the rectangular color field, float in the negative space, or align subtly with a branch or leaf direction. Do not let it overpower the subject, and avoid making it a conventional poster headline. The overall presentation embodies the visual relationship of **real natural materials × subtle black hand-drawn marks × geometric color field × natural overflow**, maintaining a handmade, intelligent, relaxed, poetic, and high-end editorial feel. Avoid complete black outlines, plants cut into regular color blocks, children's leaf-collage aesthetics, forced overflow, cartoonish collage, and templated compositions.