신중국풍 판타지 일러스트레이션 프롬프트

Vertical format approximately 9:16, Chinese new national-style fantasy illustration, a young adult East Asian female lazily reclining sideways in a dark wooden seat / vehicle-like high-backed chair, overall blending wuxia, xianxia, ancient-style character concept design, impasto digital painting, freehand ink wash, and modern fashion illustration. Composition frames from the top of the head fully down to bare feet, the figure nearly filling the frame, with the lower middle section dominated by a large expanse of dark ink-green robe and crossed legs creating strong visual weight, while the upper area and surroundings retain deep black, ink-green, and teal abstract background. The subject is a young adult East Asian female, with a slender, elongated build, elegant shoulder and neck lines, a naturally gathered waist, and long, thin legs. Her whole body leans slightly back toward the right side of the frame, with a relaxed, casually arrogant, and chivalric air in her posture. The upper body rests against the chair back, the pelvis tilts diagonally toward the lower left of the frame, and her legs extend from the voluminous robe and naturally cross, one leg lifting from the thigh and crossing over the other, forming a distinct diagonal line. The figure's feet are completely bare, wearing no shoes or socks. The foot closer to the camera is lifted slightly, with the sole angled toward the camera, toes naturally curled, the arch and sole contours clearly defined - the other foot stretches naturally toward the lower left of the frame, the instep straightened, with the toe tip pressing downward slightly. The skin tone of the legs is cold white-blush, forming a strong contrast in light and dark and warm vs. cool tones against the large dark ink-green robe. The feet maintain a natural human anatomy structure, no exaggeration in size or distortion. The figure's left hand raises a very slender white-jade sword / pale celadon-white jade longsword high above her head. The blade is almost pure white and translucent, like cold jade, crystalline frost, or milky white jade carved into shape, running vertically across the entire frame from the lower left to the upper left. The sword blade is long, narrow, and translucent, glowing with a cold white and pale cyan hint, with edges that possess a faint ice-crystal brightness, the hilt also has a celadon-white jade texture, simple and elegant shape with a ring/circular jade bauble structure at the top. The figure's left hand holds the upper hilt lightly with long, slender fingers, in a relaxed and steady grip, with red or deep wine-red nail polish serving as a small accent of color. The figure's right hand rests naturally on the chair arm or the wide robe sleeve, fingers pointing downward and relaxed. In the hand or beside the body hangs an archaic dark brown-black earthen pot / clay wine jar, with a round belly and short neck structure, a matte, aged clay texture on the surface. The jar is pasted with a dark reddish-brown square paper label, with only vague black calligraphy symbols on it, not requiring legible text. The jar seems casually gripped or leaned beside the hand, reinforcing a wanderer's demeanors. The figure wears a full set of deep teal-green, ink-green, peacock-green layered ancient-style long robe, the fabric broad, heavy, and extremely wide, like a Taoist robe or xia-style clothing combined with wide-sleeved robes and modern high fashion. The garment does not depend on traditional fine embroidery, instead emphasizing large color areas, fabric weight, and brushstroke texture. The top layer uses a templar collar / deep V-neck structure, with the left and right front panels crossing at the chest, revealing part of the collarbone, upper chest, and neck skin. The waist is looped with a same-colored, slightly olive-toned cloth belt, forming a natural knot, and the fabric piles into many billows over the stomach. Both sleeves are extremely wide, almost like cloaks that drop all the way from the shoulder blades to the bottom of the frame, the dark green fabric covering the entire chair surface and the lower composition frame. The hems is irregular, with strong impasto brushstroke marks and loose folds, as the color shifts among dark ink-green, gray-green, peacock teal, and black-green. The lower robe has a deep slit starting around the thigh, allowing one entire leg and most of the other to be exposed. The cloth falls from the waist and hips, creating large pleated folds and deep shadows. Do not generate trousers, short skirts, or modern attire. The figure wears a wide-and-narrow combination scarf or silk band choker about their neck in ink-green/teal-green, coordinating with the robe color, snug against the neck but not metal, earrings are extremely fine, subtle dark or jade satin lobes, not exaggerated. The figure has ink-black short-to-medium-length hair, pulled back at the nape into a loose low ponytail/low bun, with a few loose strands falling naturally at the sides of the neck and front shoulders, the front is a side-parted, lightly scalloped long fringe made of thread-roots, a few at the cheek. The overall hairstyle is clean, tranquil, with subtle xia-nu charcateristics, do not use high ponytail, big curled hair, or ornate phoenix crown. The face is small, slightly oval-shaped, with a gentle jawline, very fair and pale-toned skin. The head turns toward the left side of the frame at a three-quarter angle, almost in profile, eyes low and downcast, looking slightly around her own white jade sword rather than at the viewer, expression calm, cold, thoughtful, lips slightly parted. Fine details but not a trendy, realistic face - slender brows and long upper eyelids with a slight lift, very sparse eye makeup, a straight thin nose bridge, low saturation rose-lip color. The lighting focus gathers the forehead, bridge of nose, cheekbones, and jawline, the skin texture being delicate cold-white gray-pink. Behind the figure is it, of a dark gray-brown archaic wooden chair / a vehicle seat / a vintage armchair, only partially visible - above the right shoulder visible the high back wooden frame, crossbar, dingy dark wood grain, and simplified carvings. Do not create a modern sofa. The background overall is extremely dark, composed of black, deep ink-green, teal-green, mauve, blue-green and a hint of gray-blue, like night mountain forest, lake surface, bamboo grove, haze, or ink-washer hills, but all is highly stylized and abstract. The upper part and left side of the frame may show a few huge blurred teal-green brush streaks, like foliage, lotus leaves, fog, or mountain silhouettes, rough edges, not requiring realistic clarity. No architecture, city, lanterns, or complex landscapes in the background - the character and the robe are the absolute focal point, the frame. The lighting is very low in illumination, cool cyan environment light with soft cold white side light from the front on the figure. The face, collarbone, naked legs, and the white-run sword are the brightest areas, while most the robe sunk into dark green-black shadow, highlighted only on the top of folds with slate-teal highlights. The rune-drawing sword almost leaves its own soft cold glowing light, acting as the left-hand unmistakable through line in the frame. The overall painting must maintain visible digital conboard / concept-art brush and texture: large broad brushstrokes, concentrated color blocks, crisp edges in places, incorporating the edges of the scene in the background, do not render the garments or background too finely or thoroughly. The face, hands, feet should be everual relatively detailed, but the fabric and environment remain intuitive. Color palette is controlled: soox black, deep teal robe, muted teal-green highlights, extremely pale cold skin, translucent celadometer jade sword, dull dark brown pale, plus a touch of wine-red nail polish / paper pastel accent. The overall impression is cool, calm, mysterious, still, like a night time xianxia character concept poster. Key focus: young adult East Asian female, style xia woman, relaxed slope elbow depth, high-back wooden chair, deep ink-green with very wide arm collar robe, fabric waist sash, a whole leg shown from the silk, legs crossing, bare feet, one sole angled toward the camera, vertically raised extended translucent celadon-white jade miniature sword.