미니멀 포스터 재디자인 프롬프트

Please create each of my photos as an independent premium design poster, multi-image composition, with each photo output separately. Overall use a 3:4 vertical composition, with a 2x2 area height of 5 cells at 1:1, each occupying 50% of the frame. Keep the original photo in the upper half, preserving the main subject, structure, pose, realistic texture, natural lighting, and original color atmosphere. Only apply subtle premium color grading to give it an artistic, independent publication exhibition image quality. A frame may be added if appropriate, and the environmental background may be naturally extended, but do not stretch, distort, or alter the subject. In the lower half, make an independent artistic judgment and recompose the image. Do not copy the original photo's composition or trace every object; first understand what is truly worth keeping in the original - the subject, structural flow, subject relationships, and visual focus - then recompose through deletion, rearrangement, cropping, scale changes, auxiliary adjustments, and negative space. Even if the original subject is small, the background is cluttered, or the composition is ordinary, actively correct it so the lower half becomes a complete, self-sufficient work with aesthetic judgment. Reassemble the retained key subjects, partial structures, or related objects into a hand-drawn pencil sketch style subject combination drawing. Use graphite pencil lines, natural hatching, light cross-hatching, and subtle gray tones, with a slightly loose, raw, and painterly feel - not pursuing academic realism or complex perspective. Only draw the most meaningful parts, so viewers immediately sense its echo of the original photo, but it is not a sketch copy of the photo. The composition emphasizes large amounts of meaningful negative space. Negative space is not background; it is a compositional element as important as the subject. Arrange it freely based on the subject's direction, proportion, and visual weight - it can be off-center, edge-hugging, hovering, enlarged, reduced, or partially cropped - building breathing room, rhythm, and cadence through shape, density, clustering, and asymmetrical balance. Information may be removed, but do not fill the frame. Overall, use black and white or natural graphite gray tones as the main palette, with at most 1-2 recognizable colors extracted from the original image for selective local coloring. Text should only be used sparingly and functionally, with no language or format restrictions; a few words or short phrases may be freely generated based on the subject, location, mood, or metaphor, quietly blending into the negative space to form the layout together with the image. The overall result should present a recomposed image, pencil drawing, subject combination, active deletion, generous artistic negative space, and premium typography. Avoid photo copying, traditional academic sketching, complex backgrounds, frame-filling density, excessive detail, mechanical layout, and template-like feel.