미니멀리스트 아이소메트릭 사진-투-디오라마 포스터 프롬프트

I'll create a separate, high-end design poster for each photo you upload. No multi-image collages - each photo will be output as its own standalone piece. The overall format is a 3:4 vertical composition, with the upper and lower sections strictly at a 1:1 height ratio, each occupying 50% of the frame. The upper half retains the original photo, preserving the subject's structure, authentic texture, natural lighting, and original color atmosphere. Only a subtle high-end photographic grade is applied to give it the feel of an art magazine, independent publication, or exhibition print. To fit the aspect ratio, the sky, ground, or environmental background may be naturally extended, but the subject must not be stretched, distorted, or altered. The lower half extracts the most recognizable **subject, silhouette, posture, and narrative relationships** from the photo, reimagining them as a refined minimalist isometric illustration - like a miniature diorama or architectural model displayed on paper. Do not mechanically replicate photographic details; instead, re-express the subject through generalized volumes, crisp edges, simple layering, and miniature scene relationships, preserving instantly identifiable traits while carrying a quiet, restrained, poetic editorial illustration quality. The overall logic follows **isometric perspective, miniature landscape, paper-model sensibility**: the subject appears cut and placed on a small paper surface or micro-base, surrounded by generous negative space. Scale and solitude are established through volume contrast, edge cropping, subtle shadows, and a few tiny details. Minimal auxiliary elements may support the subject but must not create a second visual focal point. The color palette is drawn entirely from the original photo above, prioritizing the most distinctive, characterful, and representative colors, then **condensing, purifying, softening, and unifying** the complex palette into a limited set. Preserve the original's warm-cool relationship and color temperament while reducing noise and visual clutter, making the colors calmer, more restrained, softer, and more like an editorial illustration on paper. Differentiate volumes through tonal variation, adjacent hues, and subtle color shifts - do not impose unrelated fixed color schemes. Use fine ink lines, flat color planes, soft shadows, and paper grain to articulate structure and depth. Text intervenes as part of the composition, distilled from the photo's theme, location, action, state, or mood into a short English title, accompanied by minimal numbering, brief phrases, or micro-captions. Typography remains thin, restrained, and modern-editorial, arranged along negative-space edges, the subject's base, horizontal axes, or isometric structures, working with the graphics to form a quiet, refined typographic rhythm. The overall reference is **minimalist isometric illustration, miniature dioramas, paper landscapes, and high-end editorial design**, conveying a quiet, poetic, restrained, refined, collectible visual temperament. Avoid cartoonishness, high-saturation clashing colors, fixed palettes unrelated to the original, plastic 3D rendering, cluttered scene stacking, e-commerce aesthetics, and template feel.