초현실적인 거울 셀카 프롬프트: 컷아웃 바디수트를 입은 극단적인 모래시계 체형

Prompt: Hyper-realistic indoor full-length mirror selfie photography, vertical approximately 9:16, a young adult female sitting on a light beige-gray short-pile carpet, taking a selfie in front of a large full-body mirror. Using approximately 28-35mm equivalent phone lens, mirror distance about 1.2-1.5 meters, camera position near the person's waist height with a slight downward tilt of about 5-10 degrees. The person is fully captured from head to feet, positioned slightly below center of the frame, occupying about 72-76% of the frame height. On the left side, a white European-style door with trim is visible; behind, an open mezzanine corridor, some metal railings, and light residential space can be seen; the bottom of the mirror retains a thin gold frame. Realistic phone mirror selfie perspective, no fisheye, no obvious background blur. The person must have a very obvious, extremely voluptuous hourglass adult female figure very close to the reference image; this is the highest priority: small frame, narrower shoulders, narrower ribcage, but very full upper body; chest volume is obvious, naturally sagging, visual width close to or slightly exceeding shoulder line; immediately below the chest enters a very obvious slender waist, with the lower ribcage and waist sides significantly drawn inward, waist width only about 55-60% of the visual width of the ribcage, creating a very strong chest-to-waist difference. The pelvis must be obviously wide, hip bones rapidly expanding outward from the extremely thin waistline, forming a prominent and clear "thin waist to wide hip" transition. Buttocks volume is very full, round, thick, lateral width clearly greater than shoulders; hips and buttocks are not slight curves but very prominent physical features in the frame. Buttocks have real soft tissue weight and natural sagging, not stiff spherical shapes. Thighs must be very full, thick, soft, especially the upper thigh and root area with obvious volume, thigh lateral width close to or even exceeding twice the waist; in a seated position, thighs, hips, and buttocks are compressed by the ground and naturally spread outward, producing obvious fleshiness and soft tissue compression. No thin legs, model legs, or muscular gym legs, and no sudden tapering above the knees. Calves are noticeably slimmer relative to thighs, making the "wide hips plus thick thighs" proportion even more prominent. Overall silhouette must present: narrower shoulders plus very full upper body plus extremely thin waist plus very wide pelvis and hips plus huge round buttocks plus thick full thighs plus relatively slender calves. Body weight is mainly concentrated in the chest, hips, buttocks, and thighs, not evenly distributed. Maintain realistic female soft tissue structure, but curve intensity must be clearly higher than a normal hourglass figure; must not generate a proportionate slender, athletic, or lightly curvy body type. The person uses a low side-seated pose as in the reference image. Buttocks fully seated on the carpet, pelvis clearly shifted to the person's right side. Left hand supports on the ground behind and to the left of the body, palm flat on the ground, five fingers naturally spread, left arm bearing part of the body weight, causing the upper body to tilt slightly back and to the left. The leg closer to the camera folds forward from the hip, knee positioned slightly left of body center, thigh visibly bulging outward due to flexion and soft tissue compression; the other leg opens widely to the right side of the frame, knee bent, calf folded back toward the rear of the body. The two full thighs form a wide horizontal contour at the hips, further emphasizing the very obvious hip and buttock width from the reference image. No cross-legged sitting, no kneeling, no knees held close together. Upper body slightly leans back and twists, waist still clearly narrowed, forming a strong S-shaped body curve. Shoulders and ribcage must not widen along with the wide hips; must maintain the proportion of narrower shoulders plus full upper body plus thin waist. Right hand raised in front of the face, vertically holding a dark blue-gray triple-camera phone for a selfie, phone positioned to the right side of the face, only slightly covering some facial features. Head turned to the person's left side, gaze toward the phone screen, mouth slightly open, tongue tip slightly visible, presenting a natural, playful, slightly goofy selfie expression like the reference image. The person has dark brown-black extra-long layered hair, length reaching around the waist, abundant volume, naturally fluffy at the crown, overall loose natural large waves. The front has long airy wispy bangs and face-framing strands on both sides; no short hair or thick straight bangs. Upper and lower body are one complete gray-purple-brown / dusty mauve / taupe fitted cutout bodysuit. Color is a blend of low-saturation smoky purple, gray-brown, and mauve-brown, not pure brown or bright purple. The upper part of the bodysuit uses an asymmetrical one-shoulder / off-shoulder structure, with neck, shoulders, and collarbone largely exposed. The center of the chest has two vertically arranged oval cutouts: the upper one smaller, the lower one larger, connected by a narrow strip of fabric. The garment fits tightly over the full upper body and extremely thin waist, must clearly show the chest-to-waist ratio, and must not make the waist look straight. Both sleeves are covered with large areas of regular oval cutout patterns, with multiple rows of oval cutouts of varying sizes arranged from upper arm to wrist. The legs, from hips, thighs, down to calves, are also covered with dense regular oval cutouts, with larger openings on the upper thigh and gradually smaller toward the calves. All openings must naturally stretch and deform along the very full thighs and wide hips and buttocks surfaces; the legs must not be generated thin because of the cutout garment. The person is barefoot, the bodysuit ends near the ankles with slight stacking, toes naturally clear. Scene is a bright modern residential second-floor corridor / dressing area. The person sits in front of a large floor mirror, light beige-gray short-pile carpet covering the floor. On the left is an open tall white European-style door with trim; behind, an open mezzanine space, light-colored walls, white blinds, and dark gold-gray geometric metal railings can be seen. Overall space is clean, bright, upscale, but without complex furniture. Use soft natural daytime light, the person's skin, chest, shoulders, waist, and thighs are evenly bright, shadows soft. Maintain realistic phone mirror selfie texture, high-definition detail, slight phone HDR, natural sharpness, no studio lighting, no strong flash. Highest priority body locks: narrow shoulders, full upper body, very large chest-to-waist difference, extremely thin waist, very wide pelvis and hips, extremely full round buttocks, very thick upper thighs, seated soft tissue clearly spreading outward, calves relatively slimmer. Hips, buttocks, and thighs must be the most prominent visual features of the lower body as in the reference image. Avoid: normal hourglass, lightly curvy, slender model figure, narrow hips, flat buttocks, thin thighs, gym legs, muscular buttocks, straight waist, overly broad shoulders, insufficient waist-to-hip difference, insufficient buttock and thigh volume, extreme bodybuilding body fat, fake spherical buttocks, broken waist-hip connection, legs suddenly tapering, standing pose, kneeling pose, short hair, plain solid-color yoga wear, no cutouts, random rips, fishnet stockings, high heels, fisheye, excessive skin smoothing, plastic skin, CG look, extra limbs, incorrect hip joints, fused legs, watermarks, and garbled text.