기하학적 해체 포스터 프롬프트

Please create each photo I upload into an independent, high-end design poster - no multi-image collages, each photo output separately. Overall use a 3:4 vertical composition, with the upper and lower areas strictly 1:1 in height, each occupying 50% of the frame. The upper half retains the original photo, preserving the subject's identity, structure, posture, realistic texture, natural lighting, and original color atmosphere. Only apply subtle premium color grading to give it the quality of an art magazine, independent publication, or exhibition image. To fit the aspect ratio, the environmental background may be naturally extended, but the subject must not be stretched, distorted, or altered. The lower half extracts the most recognizable subject, silhouette, structure, posture, and narrative relationships from the photo, reconstructing them into block-based, modular geometric deconstructed illustration. Do not replicate the photo completely, and do not render it realistically. Instead, remove irrelevant details and retain only the visual memory points that best represent the original subject's identity and character. Rebuild the image through geometric simplification, shape layering, and collage-style recombination, so that viewers can instantly recognize its correspondence with the photo above. The overall form emphasizes blockiness, modularity, geometric segmentation, and complete large planes. Geometric splitting should not be overly fragmented - do not cut into numerous tiny pieces. Instead, organize the subject with fewer, larger, more complete rectangles, squares, rounded squares, ellipses, triangles, and irregular planes. People may be expressed with square faces, clear jawlines, and block-based facial features; architecture may be transformed into cubic massing, facade zoning, window rhythm, and structural transitions; animals, plants, objects, and landscapes should also be distilled into geometric forms with square-based order and modular relationships. Moderate exaggeration and distortion are allowed, but the overall result must be mature, restrained, and clean - avoiding fussiness, childishness, and overly scattered composition. The overall style uses flat color blocks + collage-style construction + modernist geometric language. Color blocks are reassembled like pieces of paper, forming a distinct yet orderly cut-and-paste feel. Complex backgrounds are deliberately removed, retaining only a few necessary shapes or supporting planes that do not create a secondary visual focus. The composition maintains a relationship of small-scale subject / large negative space. The placement is freely arranged according to the subject's own direction, proportion, visual weight, and structural flow - it may be off-center, edge-hugging, or partially cropped, but must always maintain clear hierarchy, rhythm of density, and editorial balance. The overall image values positive/negative space, plane weight, breathing room, and typographic order, giving the lower half both artistic sensibility and premium publication character. The material presents a soft paper grain and a subtle printmaking texture: over the geometric color blocks, retain a delicate paper feel, gentle noise, and slight print texture, bringing the image closer to paper collage or art print work. Avoid smooth vector, 3D rendering, photo filters, and over-retouching. The color palette is extracted from the photo above - 2-4 of the most recognizable, appealing colors that best convey the subject's character - reorganized into a more refined color system. The overall tone may be moderately brightened, purified, and de-grayed, transformed into cream white, apricot, peach pink, coral orange, misty blue, gray-green, sage green, warm brown, soft purple, and other lighter, more modern, more pleasing color block relationships. The main color is vivid but not harsh, the supporting colors are gentle and layered, and the overall character is clean, warm, stylish, and approachable - avoiding earthy yellow, dirty gray, dark brown, fluorescent colors, cheap candy tones, and cluttered palettes. Text is minimally involved, with no language restriction. Short titles, small captions, numbering, or descriptive fragments may be freely distilled based on the subject's identity, location, mood, character, or symbolic meaning. Text should be small, light, and restrained, naturally placed in negative space or at the edges of the layout, forming a refined typographic relationship with the graphics - not commercial headline stacking. The overall result presents a visual effect composed of complete large-plane geometric deconstruction, restrained collage, soft premium color palettes, paper grain, generous negative space, and editorial layout. Whether the subject is a person, building, animal, plant, object, or natural landscape, it must maintain clear identity, modular geometric order, and a unified artistic language. Avoid realistic rendering, over-fragmented cutting, childish collage, complex perspective, overly dense detail, cartoonish feel, 3D feel, templated poster feel, and cheap cultural-product aesthetics.