동양적 미학을 담은 에디토리얼 포스터 디자인

【主题】：____ 【核心器物】：____ 【主标题】：____ 【副标题】：____ 【主色】：____ 【贯穿线性元素】：枝条 / 水纹 / 斜线 / 自由曲线 / ____ 【小面积点缀色】：____ Design a 2:3 vertical Oriental artifact editorial poster. Use warm ivory paper texture with subtle fiber and print grain as the base, combining real artifact photography, Chinese typography, small English text, line drawings, and minimal Eastern graphic elements. The composition should maintain medium-high information density without feeling cluttered. Organize the layout with 2-3 primary visual clusters, and design a continuous "visual thread" that runs through the composition, connecting the title, artifacts, and auxiliary graphics. Elements should interweave: text can be partially obscured by artifacts, lines wrap around subjects, patterns extend from artifacts into the layout, and large low-contrast characters sit quietly in the background. Typography establishes four distinct scale levels:巨型visual characters / medium Chinese titles / small English text / micro informational text. Combine horizontal, vertical, and offset arrangements, allowing local boundary-crossing while overall structure remains governed by an invisible grid, creating a "controlled chaos" editorial feel. Avoid simple centered placement of artifacts. Use layered presentation: full subject + cropped detail + faint line drawing. In background blank areas, add low-contrast large characters, botanical line drawings, artifact silhouettes, or texture so whitespace has content without dominating. Overall, use low-saturation primary colors, introducing only one small area of high-visibility accent color for labels, fine lines, or localized graphics. The composition should feel elegant, restrained, and convey modern Eastern cultural design sensibility. Avoid: PPT-style segmented zones, elements scattered independently, large empty areas without content, simple "artifact + title" placement, template-style logos, numbering, four-corner starbursts, or excessive Guochao-style ornamentation.