편집 포스터 디자인 프롬프트 템플릿

【主题】：____ 【中文标题】：____ 【英文标题】：____ 【核心主视觉】：____ 【异形图像方式】：不规则窗口 / 主体破框 / 局部切片 / 图像融合 【压角方式】：巨字残片 / 双角压入 / 主体破框 / 图形压角 【辅助视觉系统】：____ 【背景信息层】：____ 【主色调】：____ 【强调色】：____ 【日期 / 机构】：____ 【画面比例】：9:16 Generate a high-density poster with a strong editorial design sensibility and cultural exhibition character. The core goal is not to reduce information, but to establish a clear visual hierarchy that allows large-scale Chinese typography, irregular main imagery, lines, graphic elements, small-scale information, and background textures to coexist - creating a layout that feels "organized chaos." First establish 1 absolute primary visual anchor, then set 2-3 secondary visual anchors. The main visual should employ irregular cropping, contour windows, partial frame-breaking, or image fusion - not just a standard rectangular photograph. Large-scale Chinese titles must genuinely participate in the composition, pressing in from edges, partially cropped, or interweaving with the main image through overlap - becoming part of the structural layout rather than simply placed beside the picture. Maintain medium-high information density, incorporating bilingual titles (Chinese/English), dates, institutions, short descriptions, vertical text, local legends, data, coordinates, lines, or small image slices - but different elements must exhibit clear scale differentiation. Create strong typographic jumps between ultra-large characters, mid-sized headlines, and micro-information. Do not keep all text sizes similar, and do not distribute content evenly across the entire frame. Use only one set of auxiliary visual language related to the theme across the entire poster. For example: urban themes use route and block graphics; conceptual themes use flowing lines and image fragments; nature themes use botanical line drawings and specimen information; meteorological themes use isobars, wind directions, and radar imagery. Do not stack multiple unrelated decorative systems simultaneously. The background must also participate in the design - incorporating extremely faint patterns, maps, structural diagrams, archival text, data ghosting, or material textures so that negative space has content. However, the background layer must remain clearly subordinate to the main subjects. Allow text to overlap images, images to break frames, lines to cross zones, and small image slices to be layered into the layout. Use partial occlusion and intentional misalignment to enhance the postmodern editorial feel - but all elements must be organized around a single visual center. Maintain 1 primary anchor + 2-3 secondary anchors overall, avoiding genuine chaos. Restrict color to 3-5 primary hues and establish a clear chromatic stance. You may use high-saturation primary colors paired with black and white, or adopt a unified monochromatic system. Do not let multiple high-saturation colors compete on equal footing. The reading sequence should be: first glance captures the main subject and large corner typography; second glance discovers the irregular imagery, graphic relationships, and line structures; third glance reads dates, descriptions, data, and marginal information. The final result should resemble a mature cultural exhibition poster, design school visual, or editorial publication: information-rich, multi-layered, with local collisions - yet maintaining a clear visual center when scaled down. Do not create an infographic-style PPT, and do not randomly fill the frame merely for the sake of "complexity."