편집적 좌우 구성 포스터 프롬프트

【主题 / 作品名】：____ 【左侧内容】：____ 【右侧内容】：____ 【左右关系】：整体与局部 / 原始与结果 / 瞬间与延展 / 密集与留白 / 其他 【跨区连接方式】：主体越界 / 材质转译 / 色彩延展 / 云雾过渡 / 动作轨迹 / 其他 【中文标题】：____ 【英文标题】：____ 【主色调】：____ 【辅助色】：____ 【画面比例】：9:16 Generate a left-right composition poster with mature Editorial Graphic Design and exhibition visual quality. The core is not to mechanically divide the canvas into equal left and right halves, but to establish two visual zones with distinct functions and different visual weights, yet with a clear relationship between them. Do not fix the left-right ratio at 50:50. Use unequal proportions such as 35:65, 40:60, 45:55, 60:40 depending on the content, and complete the visual balance through subject size, color depth, information density, and white space. The left and right sides should take on different visual tasks, for example: one side displays the complete subject, the other magnifies a partial texture; one side presents the raw material, the other shows its transformed visual result; one side freezes a person or object, the other extends motion, trajectory, or energy; one side maintains dense imagery, the other balances with generous white space and Typography. The most important element is the "middle boundary." Do not use a rigid vertical line to divide columns directly. Instead, let at least one core element cross the left-right zones so that both sides are truly connected: A partial subject naturally crosses the boundary; material transitions from solid form to flat image; color, ink, or texture extends across zones; motion trajectory stretches from one side to the other; mist, light, or spatial structure dissolves naturally at the boundary. Make the central axis the "place where relationships occur" rather than a simple divider. Typography is organized according to the work's content. The main title, short phrases from the work, and supplementary information must all relate to the theme itself - do not use template placeholders such as "left-right composition," "design case study," or "visual research." Text can participate in left-right weight distribution: reduce text on the heavier image side, add titles or information on the side with more white space; or let the title cross the boundary and interweave with the subject. Control color within 2-4 main color families. The left and right sides may show clear contrast in warm/cool tones, light/dark values, or material texture, but at least one color, texture, or typographic system must serve as a visual connection to avoid looking like two images forcibly stitched together. Maintain sufficient breathing space through: unequal proportions, visual weight, subject crossing boundaries, material translation, density variation, and Typographic interweaving to establish a designed left-right relationship. The final reading order should be clear: first, feel the visual contrast between the left and right; second, discover the connection or transformation at the central axis; third, understand the content relationship between the two zones; finally, read the title and work information. Overall requirement: the left-right relationship is clear but not rigid; each zone has its role yet belongs to the same work; there is visual hierarchy, content logic, and mature Editorial Poster quality.