동아시아 에디토리얼 박물관 포스터 디자인 프롬프트

【主题】： 【主视觉对象】： 【中文核心字】： 【中文标题】： 【英文标题】： 【主体特性】：展开 / 垂落 / 翻卷 / 分层 / 振动 / 投影 / 反射 / 其他 【档案信息】：结构 / 材料 / 尺寸 / 过程 / 局部样本 / 其他 【主题色】： 【画面比例】：9:16 Generate a vertical poster with the materiality of mature East Asian Editorial Design, Museum Poster, and cultural publication. Use a "non-balanced three-part composition" where the image carries the main visual, title typography, and auxiliary archival information respectively, but do not divide into three equal sections or create obvious columns. First analyze the most recognizable real physical or material characteristic of the【主视觉对象】, then let that characteristic directly determine the composition. For example, unfolding produces radial spread, fabric draping and folding creates depth, material cross-sections reveal internal layers, string vibration forms continuous trajectories. Do not mechanically apply examples; re-find the most appropriate visual action for the current object. The main subject must occupy a larger visual weight and span at least two zones. Through occlusion, interpenetration, projection, folding, cross-section, extension, vibration,or other real spatial relationships, connect the main visual, Typography,and information zones together, rather than placing the three parts separately. Set a striking【中文核心字】using a modern high-contrast Song / Ming typeface, making the character itself part of the composition. Allow the subject to pass through the text, text to undergo black-white inversion across different materials, shadows to cover text,or structural lines to enter the negative space of glyphs, but always ensure the core character remains clearly legible. Use warm ivory uncoated art paper as the base, paired with ink-black text and one primary【主题色】. Each work should retain only one strong accent color, with the paper having slight fiber and matte print texture, kept clean without heavy aging. Include【档案信息】that is genuinely related to the theme, such as materials, structural cross-sections, production processes, dimensions, motion states, local macro views,or time records. Small information uses Grotesk / Monospace, English titles use Serif. All text should serve the theme of the work, without using template placeholders like Design Study, Visual System, Vol., Case,etc. Information density stays medium-high, but not evenly filled. The main visual forms a high-density zone, structure and archive form a medium-density zone, while retaining approximately 20%–30% effective white space, creating a clear rhythm of density and openness. Final reading order: first glance sees the massive subject and core Chinese character; second glance discovers the spatial or motion relationship formed by the subject crossing zones; third glance understands structure, material,or production process; fourth glance reads the work title and archival details. The same series shares paper, type system, information hierarchy,and editorial temperament, but each piece redesigns the three-part direction, visual momentum,and cross-zone method according to different【主体特性】, without template swapping. Avoid: equal three columns, PPT feel, ordinary product staging, full-bleed image with title, random small text, meaningless English, tech HUD, excessive aging, Logo, QR codes, numbering,and copyright marks.