곡선 기반의 에디토리얼 포스터 디자인 프롬프트

First, determine the most important main curve, then organize the main body, Typography, images, information, and white space around it. The curve is not decoration, but the visual skeleton and reading path of the entire poster. Main axis: [Theme]: ____ [Chinese Title]: ____ [English Title]: ____ [Main Visual]: ____ [Curve Composition Method]: Curved Large Type / Surface Fold / Spiral Collage / Curve Linking / Other [Supporting Materials]: ____ [Main Color]: ____ [Secondary Color]: ____ [Accent Color]: ____ [Frame Ratio]: 9:16 Generate a poster with strong design sense using curved composition, adopting the visual language of Contemporary Editorial Poster × Postmodern Graphic Design × Cultural Exhibition Poster. Choose one main curve method based on the content: Curved Large Type: Let large Typography itself undergo stretching, bending, cropping, and breaking out of the frame, with the letterforms directly becoming the curved main visual. Surface Fold: Let paper, fabric, architectural surfaces, or other bendable solids form a large curved surface, and place text, images, and information directly on the curved surface, naturally bending with perspective. Spiral Distance: Use an open spiral path to link photos, tickets, text, figures, and small visual nodes, gradually guiding from the periphery to the core. Curve Linking: Use a continuous S-shaped or arc-shaped main line to pass through multiple visual nodes of different scales, turning scattered images into a complete narrative. The entire poster retains one strongest curve direction; other lines or elements can only follow or balance, without creating new visual competition. The main title must participate in composition, and can be offset, cross-region, cropped, partially obscured, or rescaled along the curve - do not simply place it neatly at the top. The frame allows 2-3 visual languages to collide, such as photography, illustration, handwriting, color blocks, paper, tickets, but all materials must revolve around the same composition. Control clear visual hierarchy: first glance sees the main curve and main visual; second glance sees the large title; third glance notices the graphic information arranged along the curve path; finally, see the small auxiliary elements and date/location. Retain large areas of effective white space, avoid fully symmetrical layouts, use asymmetry, cropping, scale imbalance, and subtle color shifts to give the layout a loose postmodern editorial feel. Control colors within 3-5, establishing recognition with a large-area main color, one strong contrast color, and accent colors. The overall curve must be clear, the visual must be striking, information rich but not chaotic, with an artistic quality of manual typesetting and design notebooks.