시네마틱 강남 수변 초상화 프롬프트

Hyper-realistic cinematic Chinese ancient-style portrait photography, a young East Asian woman in her 20s sits alone on a weathered black-awning boat in a Jiangnan water town or classical garden canal, vertical composition, approximately 2:3 ratio, medium-wide to full-body framing, subject positioned center-right, occupying about 55%–60% of the frame. She sits sideways on the wooden bow, legs naturally folded, wide skirt spread across the planks. Her right hand is raised, gently holding a small pale celadon teacup near her chest, left hand resting naturally on her knee. She does not look directly at the camera but turns her head slightly toward the distant left side of the frame, expression calm, gentle, and reserved, with a faint smile at the corners of her mouth, like a woman quietly sipping tea and enjoying the view alone on the boat. She has a delicate, soft oval face, natural jawline, dark brown almond eyes, slender straight nose, and natural nude-pink lips. Makeup is elegant and classical: sheer natural base, light brown eyeshadow, fine eyeliner, soft brow shape, low-saturation peach blush, and nude-pink lip color. Black long hair is styled in a traditional half-up bun or low-hanging chignon, with fine strands falling on both sides over her chest; the bun is adorned with pale green jade, white flowers, and small hairpins, with a translucent light-colored ribbon trailing behind. She wears a traditional Hanfu in light gray-blue, smoke green, or moon-white with a cyan tint, cross-collar with right lapel, layered inner garments, ivory-white inner layer, and an extremely lightweight translucent wide-sleeved outer robe with delicate hidden patterns, floral embroidery, or jacquard texture. Wide sleeves drape naturally, and the skirt is built from multiple layers of ivory-white and pale blue-green gauze, softly spreading across the bow. The fabric texture is light, translucent, and refined, avoiding a stage-costume feel, with no logos or modern elements. The black-awning boat is visibly aged, with dark ochre-to-near-black planks showing cracks, peeling, moisture, and years of weathering; behind and to the right is a low curved wooden canopy and old window frame. On the bow sits a pale celadon narrow-necked wine flask, lotus leaves, a single pale pink lotus flower, and a slightly unrolled antique calligraphy scroll, forming a still-life foreground. The surrounding is a quiet Jiangnan river-lake scene, water surface in gray-green and blue-gray tones, with soft ripples reflecting trees. The background features large drooping branches, fresh green leaves, shoreline trees, and hazy garden scenery, with overhead branches creating a natural framing. The distance is softened by light mist and shallow depth of field, evoking a moist early-spring morning atmosphere. Soft morning natural light comes from the upper left through leaves, casting dappled side lighting with delicate highlights on her face, shoulders, sleeves, and skirt, while leaving gentle reflections on the water. Overall low saturation, low contrast, with a palette of gray-blue-green, smoke white, aged wood ochre, and natural skin tones, plus slight mist and atmospheric perspective. Use a 50mm or 85mm lens, f/2.8–4, ISO 200–400, 1/250s, medium-shallow depth of field. Preserve real skin pores, hair strands, silk and gauze texture, porcelain glaze, aged wood cracks, water reflections, and lotus leaf details. Slight film grain and soft highlight bloom. Avoid plastic skin, CG look, HDR, oversharpening, incorrect Hanfu structure, deformed fingers, duplicated objects, or extra people. Overall style: high-end Chinese ancient-style cinematic still, Jiangnan water-town fine art portrait, Song-dynasty Eastern aesthetics, elegant, poetic, quiet, and reserved. No text, no logos, no watermark.