24초 거실 코미디 단편 영화 스토리보드 프롬프트

Second prompt: Segment 02 | 24 seconds | [Character/Scene/Asset Lock] Male reference image - Male: Lock facial features with right-side portrait, black fluffy short hair, and small band-aid on cheek; lock full-body front view with white tank top, gray drawstring shorts, white socks, gray slippers. Character moves naturally in the living room. Chinese urban life context, standard Mandarin, mid-low pitch, clear with slight breathiness, casual short sentences, breathing slightly uneven after laughing. Female reference image - Female: Lock facial features with right-side portrait, light brown eyes, faint freckles, and black slightly wavy long hair; full-body view locks cream thin-strap top, light floral print shorts, white socks, and white sneakers. Character moves naturally in the living room. Chinese urban life context, standard Mandarin, bright and natural mid-high pitch, crisp articulation, firm tone when being playful, laughs at the end. Scene: Residential living room in the evening, beige-gray three-seat fabric sofa against warm white wall, white sheer curtains on the left side of the sofa, a warm floor lamp behind the right end; TV is across from the sofa, behind the camera. Female sits on the left side of the frame, male sits on the right side, about one palm-width apart. Props: One slim black rounded-corner TV remote, starts in the male's right hand, resting at his right lower back; one mustard yellow square throw pillow, starts held against her abdomen by the female. [Base Style] Live-action life comedy, ARRI Alexa 35, Super 35 imaging look, 16:9, 24fps; Cooke-style soft skin tones, 35mm and 50mm focal lengths, medium depth of field, both faces and the hands making contact clearly readable, soft highlight roll-off. Soft daylight around 5000K comes through the white sheer curtains on the left of frame, 3200K floor lamp on the right serves as weak warm fill, roughly 2:1 lighting ratio. Air is clear, natural depth between characters and back wall; retain skin fine lines, cotton knit texture of the tank top, and compression deformation of the sofa fabric. Beige-gray and cream white as primary colors, yellow pillow as small-area accent; natural skin tones, low saturation, shadow detail preserved. [Camera Movement and Timeline] Premise: Female holds the pillow and watches TV, male guards the remote and observes her, both are holding back smiles. Core relationship: Female uses fake surrender to make the male let his guard down, then strikes back with an intimate move; male enjoys her closeness, only realizing the outcome afterward. Director intent: Let the audience fully see the kiss and the remote handover, first read the male's happiness after being kissed, then read his delayed reaction when he discovers the trick, and finally cash in the laugh with the female's matter-of-fact reply. Actor direction: Female first keeps attention on the TV, the approach is sudden but light, after succeeding she tries hard to act as if nothing happened; male shifts from alert to relaxed, after being kissed he first shows a smile, then looks at his empty hand, looks at the female, and finally laughs and accepts this playful trick. Dialogue rule: Only speak the Mandarin lines marked in the timeline; the speaker in frame naturally syncs lip movement, dialogue happens in order, pauses serve comprehension and holding back laughter. CUT 1 | 0 - 5 seconds Camera is on the TV side, slightly toward the male's side, at seated eye height, 50mm two-shot. Female on the left of frame, side profile toward the TV, pillow against her abdomen; male on the right slightly toward the sofa corner, right hand holding the remote resting at his right lower back. Background is the sofa backrest, warm white wall, and the soft glow of the right floor lamp. Fixed camera preserves the distance between the two, focus covers both faces. Male first observes the female's side profile. Female's gaze rests steadily toward the TV direction, arms holding the pillow, breathing naturally. Male confirms she has backed off, shoulders relax, right hand brings the remote from his lower back to his abdomen, then raises it toward the TV direction, thumb near the buttons. Female remains seated in place, her gaze lightly sweeps to his hand. CUT 2 | 5 - 12 seconds As the remote becomes visible, cut to a 35mm two-shot on the TV side facing the sofa directly, frame includes both faces, both hands, and the lap area; female left, male right, physical contact and prop handover are at the center of frame, background stable. Female's right hand lays the pillow flat on her lap, hips still supported by the cushion, upper body leans toward the male, gives a light kiss on the side of his cheek nearest to her, light touch then separates. Male first has the corners of his mouth turn up from being kissed, then turns his head to look at the female, right hand holding the remote naturally relaxes. Just as his attention shifts to the female, her left hand grips the exposed upper part of the remote and lightly pulls it into her palm. The frame clearly shows the male's right hand releasing and the female's left hand fully receiving it. Female pulls her upper body back, sits up straight, tucks the remote against her abdomen, left thumb presses the channel button once. The pillow stays on her lap. Male's gaze remains on her face. Maintain the two-person frame throughout, focus keeps both faces and the handover action readable at the same time; the button click confirms the female has already succeeded. CUT 3 | 12 - 19 seconds As the male begins to realize the outcome, cut to a 50mm two-shot on the TV side, both faces, hands at the abdomen, and the remote are all in frame. Camera slowly pushes in about 10 centimeters, keeping female left, male right, sofa backrest slightly magnified in the background. Male first looks at his own empty right hand, then at the remote in the female's hand, raises his eyes to her and says: "Wait... you just said no kissing." There is a brief hesitation after "wait," tone carrying amused disbelief. Female holds the remote and watches TV, the corners of her mouth already lifting, deliberately flattening her tone, replies: "Right, you're not allowed." She lightly stresses the word "you," eyes still toward the TV. Male stops after hearing it, gaze staying on her side profile, camera stabilizes in this moment of holding back laughter. CUT 4 | 19 - 24 seconds With the male's paused gaze, cut back to a 35mm two-shot down to the knees, camera fixed on the TV side, keeping both people and the pillow on the lap, background position stable. Male looks at the female. Female tries hard to stay calm, holds for two seconds, the corners of her mouth finally give way, turns to look at him, laughs out loud. Male extends his empty right hand, reaching toward the remote in her arms. Female immediately laughs and shrinks slightly toward the outer edge of her cushion, drawing both knees toward her body, both hands tucking the remote between the pillow and her body. Male is amused by her reaction, the extended hand relaxes and falls back to his own leg. End frame: Female on the left, pillow and remote both held against her chest, smiling at the male; male on the right, body leaning slightly toward her, hand back on his leg, both laughing naturally, breathing and fabric sounds clear. [Sound Design] No background music. Retain the quiet living room ambient noise, fabric and cushion friction, one light button click from the remote, natural breathing, and the mutually infectious laughter at the end. Male's dialogue carries a bit of post-laugh breathiness, female's final line is clear, short, and matter-of-fact, then she truly laughs. [Visual Restrictions] No subtitles, no watermarks, no garbled text; character identity stays consistent, facial, body, and hand structures natural and complete. Character references are used for the corresponding person's face, hairstyle, and clothing; the frame is always a single continuous living room space. Remote and pillow each remain one item, the remote moves from the male's right hand through visible contact into the female's left hand, held against her chest by the female at the end; the kiss lands lightly on the cheek, both the approach and the shrinking back are supported by the sofa cushion.