Paper Art Poster Creation Prompt

For each uploaded photo, create a separate high-end designer poster. Do not make a collage; each photo must be output individually. Use an overall 3:4 vertical composition, divided into two sections with a strict 1:1 height ratio, each occupying exactly 50% of the canvas. The upper half should preserve the original photo, maintaining the subject's structure, realistic texture, natural lighting, and original color atmosphere. Only apply subtle high-end photographic color grading so that it feels like art magazine, independent publishing, or exhibition photography. To fit the format, the sky, ground, or environmental background may be naturally extended, but the subject must not be stretched, distorted, or altered. The lower half should extract the most recognizable subject, silhouette, posture, and narrative relationships from the photo, and reconstruct them into an exquisite three-dimensional origami and paper-sculpture collage. Do not mechanically replicate photographic details. Instead, use folding, faceting, layering, nesting, and paper-piece assembly to reinterpret and simplify the subject, so that it remains instantly recognizable while also gaining a clear geometric structure and an authentic handcrafted quality. The composition should be reorganized according to the subject's own visual center of gravity, contour flow, volumetric proportion, and direction of movement, rather than being fixed in the center. Use hierarchy, scale, axial relationships, triangular stability, diagonal tension, foreground-background occlusion, and positive-negative shape control to create visual rhythm. The subject may be moderately off-center, partially cropped, or extended in one direction. Use large areas of negative space to create a sense of breathing room, so that the paper-art form has sculptural volume while maintaining the restraint and balance of modern editorial design. Supporting paper pieces and geometric elements should only reinforce the subject and must not create a second visual center. The color palette should be extracted from the most distinctive and lively colors in the upper photo, then transformed into a harmonious yet vivid set of paper tones. Use tonal variation within the same hue, neighboring colors, and a small amount of contrasting color to distinguish folded planes and spatial layers. The background should use off-white, light gray, soft pastels, or other pale tones that harmonize with the original image, with large areas of blank space and only a small amount of paper texture and abstract geometric detail. Use soft diffused lighting to reveal paper fibers, fold lines, cut edges, thickness, and natural shadows. The overall result should be clean, realistic, refined, and delicate, avoiding plastic-looking 3D, glossy CGI, or cheap cardstock aesthetics. The typography should also be transformed into part of the paper-art structure and composition. Derive a short English word or title from the subject's identity, theme, action, mood, or symbolic meaning, and pair it with a minimal amount of numbering, location, status words, or micro-annotations. The main text may be formed from folded paper elements, and its relationship to the subject should be chosen according to the structure of the composition: arched around it, extended along an axis, fitted to the contour, supporting it from above or below, interwoven and overlaid, or suspended within negative space. The text should remain readable while also functioning as part of the spatial structure of the image. Supporting small text should remain minimal, using restrained high-end editorial typography to balance the handmade warmth of the paper craft. Overall, emphasize paper materiality, geometric precision, spatial layering, compositional order, and handcrafted warmth, presenting a visual language that combines contemporary paper sculpture with sophisticated editorial design. Whether the subject is a person, animal, plant, building, object, vehicle, or natural landscape, there should always be a clear and clever visual correspondence between the real photograph and the paper-art reconstruction. Avoid cartoonish origami, childlike craft aesthetics, symmetrical balance, overly complex piling, e-commerce display aesthetics, and templated design.