Prompt d'animation vidéo de bureau surréaliste

Create a 10-second, 9:16 vertical, cinematic surreal animation video, strictly using the "office on paper" image as the first frame and visual foundation. The scene is a large white spiral notebook placed on a wooden table, with a black-and-white pencil-drawn office world on the paper, where a photorealistic miniature young man interacts with these hand-drawn elements. Important rule: only 1 live-action character is allowed in each shot, and two or more live-action characters must never appear simultaneously. Through smooth camera movement, close-up framing, occlusion transitions, and area switching, sequentially showcase all major events across the entire image. Hand-drawn characters and hand-drawn objects can coexist. Present the full sequence of events in the following order, with natural transitions between shots, maintaining overall continuous flow, like a camera traveling through a sketchbook that comes to life: The shot begins with a close-up of the notebook paper surface, first focusing on the man being blown around by papers from a large fan. The giant pencil-line fan spins at high speed, paper sheets flutter in the air, and this man is half-buried in a pile of papers, struggling in panic, waving his hands, dodging incoming documents, with his hair and shirt blown by the wind. A flying sheet passes in front of the camera as a transition, cutting to the man climbing a mountain of files. He climbs up a towering pile of paper documents, with the sheets slipping slightly under his feet and the edges of the files trembling, creating an exaggerated yet realistic miniature office disaster feel. The camera moves down along the edge of the files, shifting to the man sitting in an office chair and typing on a giant keyboard. He types rapidly, and each key of the pencil-line keyboard depresses and springs back when touched by his fingers, with the line-drawn mouse resting nearby. The camera briefly lingers on the typing action and keyboard details. The camera pans from the keyboard, entering the scene of the man trying to calm an angry coffee cup. The giant cartoon coffee cup has an exaggerated expression, with steam rising from its rim and slight vibrations, coffee liquid splashing and sloshing. The man extends both hands, carefully soothing it, with a tense yet helpless expression on his face. The camera follows the splashed coffee downward, cutting to the man sliding down a rolled chart paper. He slides down like on a slide from a huge paper chart roll, with both hands raised and an exaggerated expression, as the chart lines and grid pass by in front of the camera. The camera connects along the end of the chart, reaching the man balancing on a giant ruler. He spreads his arms and carefully walks across a pencil-line ruler positioned above an INBOX tray, with envelopes and documents piled inside the INBOX below, and the ruler subtly wobbles. The camera continues downward to the man giving a presentation. He stands in front of a whiteboard explaining a "Q3 PLAN" chart, gesturing to hand-drawn office audience members. All the audience are pencil-drawn small figures, with some looking confused, some attentive, and some dozing off. The camera focuses on the contrast and interaction between this live-action presenter and the hand-drawn audience. Finally, the camera pushes in on the man lifting the paper sheet. He crouches down, grabs the corner of the paper, and slowly lifts an entire notebook page. The page bends, shadows deepen, and beneath it reveals a hidden hand-drawn meeting room space, with sticky-note small figures seated around a meeting, and text like "MEETING 10:00" visible nearby. Once the hidden space is uncovered, the small characters inside look up, wave, and continue their meeting. The shot ends with this hidden world. Overall requirements: realistic camera movement, macro cinematic feel, smooth transitions, natural character motion, realistic paper physics, fine pencil texture, realistic shadows, shallow depth of field, light absurdist comedy tone. Seamless fusion of 2D pencil sketch and 3D live-action, high-quality photorealistic AI video. Prohibitions: no multiple live-action characters in the same frame, no split screen, no cloning of characters, no collapse of the notebook structure, no abrupt scene changes.