Mode post-apocalyptique industrielle, portrait de mode

Hyper-realistic cinematic industrial-ruin fashion portrait photography. A young East Asian woman in her 20s sits in a scrapyard, mechanical repair zone, or open-air industrial ruin. Vertical composition, 2:3 aspect ratio, medium-full to thigh-framed shot, subject centered, occupying about 70% of the frame. She sits slightly leaning forward, shoulders naturally dropped, arms hanging loosely between her legs or at her knees, posture weary, calm, unposed. She looks directly at the lens with a cool, numb, slightly tired expression and the detached air of a post-apocalyptic film character, lips naturally parted. She has a refined, elongated oval face, soft jawline, deep brown almond eyes, a slender straight nose, and naturally full nude-pink lips. Makeup is minimal and smudged by the environment: sheer base, taupe eye shadow, natural brows, slightly smudged eyeliner, low-saturation lip color. Cheeks, chin, neck, collarbone, shoulders, arms, abdomen, and legs are marked with irregular black-gray grease, soot, dirt, and mechanical stains, distributed naturally and randomly, with smudge marks, fingerprints, and variations in wetness and dryness - never evenly applied or painted on. Long, thick dark brown-black hair falls naturally over her chest and back, slightly damp, messy, and tangled, with strands clinging to her cheeks and neck, loose hairs catching the wind at the crown - the authentic aftermath of labor or an accident. She wears a dark gray triangle bikini heavily soiled with grease and grime: a minimalist triangle top with thin straps resting naturally on her shoulders and neck; low-rise matching bottoms with visible mud, oil, water stains, and wear. Natural body proportions, natural waist and navel contours, no exaggerated curves. No logos, no accessories. The background is an industrial scrapyard with abandoned vehicles and mechanical parts. Behind her right is a heavily rusted, partially stripped old SUV or truck, revealing rusty axles, mechanical piping, metal frames, and dark bodywork; behind her left are large used tires, wheels, and blurred wrecked cars. All metal surfaces show realistic rust, oil stains, wear, and dust. The background is softly blurred with shallow depth of field but still conveys the industrial ruin environment. The time is overcast, blue hour, or cold post-sunset light with a gray-blue sky. Soft natural ambient light serves as the key light, evenly illuminating her face and upper body from the front right, with deeper natural shadow falling to the right. No beauty fill light; under-eye shadows and tired skin texture are preserved. Overall low saturation, low contrast, with a palette of cool blue-gray, rust brown, black, dirty gray, and cool-toned skin - evoking post-apocalyptic survival cinema, industrial fashion editorials, and documentary photography. Shot on a 50mm or 85mm lens at f/1.8-2.5, ISO 800-1600, 1/250s, shallow depth of field. Eyes, face, stains, damp hair, and swimsuit texture are tack sharp while background machinery gradually blurs. Real skin pores, fine freckles, caked grease, dust particles, individual hair strands, metal rust, tire rubber, and mechanical details are preserved. Fine ISO 800 film grain, subtle highlight bloom, cool atmospheric haze, and natural vignetting. Avoid plastic skin, over-smoothing, CG look, HDR, over-sharpening, flawless skin, uniform stains, exaggerated body proportions, distorted fingers, incorrect mechanical structures, or extra limbs. Overall style: post-apocalyptic industrial fashion editorial, Korean cinema still, scrapyard documentary portrait - cold, weary, authentic, gritty, restrained. No text, no logos, no watermarks, no other foreground figures.