Journal de voyage à livre ouvert - page photo en aquarelle

Transform the uploaded travel photo into a 3:4 vertical still-life photograph of a physical book. Most importantly: the image is a literary travel sketchbook genuinely spread open on a table. The left and right pages are connected by a clearly visible spine in the center, with natural page curvature, paper thickness, layered edges, and soft shadows. Not a top-bottom split, not two independent posters side by side, not a flat collage. Left page: Preserve the main scene, subject, perspective, lighting, and colors from the uploaded photo in full, as a real travel photograph adhered to the paper. The photo edges curve slightly with the page but retain a clear photographic texture. Right page: Redraw the same location and subject as a watercolor travel sketch. Keep the most recognizable contours, spatial relationships, and main color blocks, using transparent washes, alternating wet and dry brushwork, natural bleeding, grain, and visible paper white. Do not fill the page completely, do not apply a photo filter, do not change the location, and do not add subjects that are not present. The book rests on a light-colored real tabletop or a clean neutral background, avoiding unnecessary props. Leave a quiet blank area at the bottom of the right page, with a small amount of authentic travel notes: "[Location or subject title]" "[One short, specific observation related to the scene on site]" "PAGE [number]" The text looks like it was written by a traveler with a fine pen, with a slight handwritten irregularity, clear but restrained. No author name, brand, logo, URL, watermark, gibberish, or extra text. Overall, it should read like a commemorative page combining a real book, travel photography, and hand-painted watercolor: the paper feels tangible, the spine is real, the left and right pages echo each other, and there is a clear shift of memory between the photo and the watercolor. Avoid: top-bottom comparison, hard left-right cut, ordinary photo frames, journal stickers piled up, excessive tape, tickets, postage stamp perforations, digital vector lines, heavy oil painting, completely flattened white background, extra people, or landmarks not present in the original image.