Éclaboussure d'encre Portrait Caricature | 飞墨怪诞肖像风

Create a side-by-side or top-bottom comparison portrait-to-drawing conversion, with the style uniformly named [INK-SPLATTER PORTRAIT CARICATURE|飞墨怪诞肖像风]. Suitable for travel portraits, street photography, professional figures, gatherings, sports, fashion, family, stage, daily life, the elderly, children, and group photos; the subject is not required to hold a camera, and the photography theme is not restricted. Choose only one layout: split left-right or top-bottom, no multi-panel collage. One side/half retains the input real person photo, occupying about 40%–55% of the frame, preserving the person's identity, number, pose, expression, action direction, clothing, main props, background relationships, and natural colors, with only light publication-grade color grading; the other side/half redraws the exact same person, same action, and same scene relationship. The redrawn part translates the person into a slightly absurd editorial documentary comic portrait. Exaggerate selectively based on the original person's own features, rather than applying a fixed face: may mildly enlarge one to three of the following - head, eyes, brow bone, nose, ears, mouth corners, wrinkles, under-eye bags, hairstyle, or hand gestures; neck, shoulder line, limbs, and action rhythm may be moderately stretched or compressed. The person must remain recognizable and retain the emotion from the original photo; humor comes from observation and proportion shifts, not malicious caricature, and not all people should be uniformly drawn as tired, dull, or with mismatched eyes. The redraw must consist of black-brown pen lines, dry brush ink, cross-hatching, broken line retracing, uneven ink absorption, and splattered ink dots. Skin, hair, clothing, and environment use only 2–4 low-saturation muted colors extracted from the original photo, such as ochre, smoke gray, dark olive, indigo, or brick red; retain paper-white highlights. The redrawn area uses warm beige aged paper with paper fibers, stains, creases, ink bleed edges, and localized wear, but ink dots must be organized around the person's action and visual focal point, not evenly scattered across the page. Select one real element from the original photo that best explains the person's identity or action as a "narrative prop," such as a hat, glasses, musical instrument, sports equipment, shopping bag, food, pet, flowers, luggage, phone, book, tool, vehicle part, or camera. This prop may be moderately enlarged, repeated once, or interact with the ink-splatter lines through compression or wrapping, but it must originate from the original image; if there is no obvious prop, use the person's hand gesture, hairstyle, clothing folds, or background outline to carry the narrative, and do not add cameras, microphones, or news equipment out of nowhere. The redrawn side retains about 15%–30% of continuous clean paper surface, and may include 1–3 English words as a theme title, the field "INK STUDY," and one observation sentence of no more than 8 English words; the text should look like dry-ink handwriting or low-ink type, describing only the real person and action in the photo. Do not generate location guesses, fake Chinese, brands, logos, QR codes, URLs, watermarks, signatures, AI badges, or original image corner marks. The final image should look like "a real person archive photo plus a hand-drawn ink-splatter satirical portrait echo of the same person": the original photo handles identity and fact, the redraw handles observational exaggeration, linear rhythm, and paper-ink material. Multi-panel collages, misaligned figures, photo filters replacing the redraw, fixed camera equipment templates, uniformly tired faces, smooth digital line art, cartoon stickers, pure watercolor, plastic 3D, bright commercial vector illustrations, and decoration without source are all prohibited.