Prompt de photographie au flash en intérieur : Portrait dans une chambre douillette

Hyper-realistic indoor bedroom close-up portrait photography, vertical format approximately 4:5, a young East Asian woman lying face down on a white bed, the camera almost touching the bed surface, shot from a close distance slightly to the right of the subject's front. Using an equivalent 28-35mm phone/compact camera lens, at a distance of about 45-70cm from the face, with the camera position slightly lower than the subject's face, creating a very pronounced but natural perspective depth: the face and upper body are in the right foreground of the frame, closest to the lens; the waist and hips extend toward the left background; the legs are bent at the knees and lifted upward, with both feet in the upper left distance of the frame. The shot extends from the toes to the subject's forearms, with the subject almost filling the entire frame, no fisheye effect, no strong background blur. The subject must maintain a very pronounced natural full hourglass adult female figure: medium-to-small bone structure, moderate shoulders, noticeably full upper body, large but natural breasts with real weight; the ribcage itself is not wide, the waist is clearly tapered, the pelvis and hips are wider, the buttocks are very full, round, and thick, with full upper thighs. In the prone position, the chest and torso are naturally supported and slightly compressed by the bed surface, while the buttocks form a clearly rounded contour as the body extends backward. Do not generate a typical slim model body type, no narrow shoulders, flat buttocks, or thin thighs, and no extreme muscular or distorted wasp-waist physique. The subject uses a low prone posture: the abdomen and pelvis are close to the bed surface, the upper body is propped up by both forearms, with elbows in front of the lens and shoulders slightly rolled forward. The subject's right forearm extends horizontally to the bottom of the frame, while the other arm is partially hidden by the body and composition. The chest, neck, and shoulders are clearly closer to the camera, but not fully arched - instead, they rest loosely on the bed. The lower body extends toward the left background, with the pelvis slightly tilted to the subject's left, making the buttock contour form a clear curve in the left-center of the frame. Both knees are bent at approximately 90°, with the calves lifted up from the bed surface, the two lower legs close together but not fully overlapping; both feet are raised high behind the subject and tilted toward the upper left of the frame, with the soles facing the front-side of the camera, forming a clear outline of the soles. The legs must have correct knee joint connections, no crossing, merging, or extra limbs. The subject's head is positioned in the upper right-center of the frame, with the face very close to the lens. The head is slightly tilted to the subject's left, the chin is slightly lifted, and both eyes look directly at the camera. The lips are gently pursed/puckered in a natural slight pout expression, no toothy smile. The overall demeanor is quiet, slightly languid, and intimate, with a close-up snapshot feel. The subject has jet-black extra-long straight hair, at least reaching the chest or even lower, with thick, smooth, and glossy volume. The crown has a natural center part with a slight side part, and a thin, neat long air fringe at the forehead, reaching near the eyebrows, with a few loose strands naturally falling around the forehead and eyes. A large amount of long hair on the subject's right side flows down over the shoulder onto the bed and chest, forming a large dark black area of hair strands; the left side hair partially extends toward the back. Do not generate short hair, curly hair, or voluminous waves. The face is small, slightly oval-shaped, with a soft jawline, and fair skin with warm undertones. The eyes are dark brown, slightly large almond-shaped, with natural double eyelids, fine eyeliner extending slightly outward; eyelashes are obvious and distinct, especially the upper lashes. The eyebrows are naturally straight and flat. The nose bridge is small and straight, with a delicate tip. The lips are naturally full, in a nude rose pink tone, with a subtle moist sheen on the surface. The cheeks have noticeable but soft pink blush, with a pinkish tone around the nose tip and under the eyes. The skin retains real pores and subtle color variations, but overall is clean and bright, without excessive smoothing. The upper body wears a dark gray loose-fitting suit jacket, an oversized boyfriend-style blazer, made of medium-weight gray suiting wool with clear twill/fine wool texture. The jacket lapels are fully open, with wide notched/peak lapels naturally folding to both sides; the shoulders are slightly wide, and the sleeves are long with natural stacking at the forearms. The front of the jacket slides open due to the prone position, revealing a black low-cut inner layer. The inner layer is a black minimalist low-cut fitted top/bralette-style top, pure black in color, with a matte fabric, no complex lace or patterns. Only the chest and a small area below the chest are exposed, mostly covered by the gray suit jacket. Do not generate a white inner top, turtleneck, or sports tank top. The lower body wears black ultra-short fitted bottoms/high-cut shorts, mainly covering the hip and pelvic area, mostly hidden by the body posture and gray jacket, with only black fabric edges visible near the buttocks and hips. Maintain normal clothing coverage, do not generate skirts, jeans, or long pants. The legs wear white semi-transparent thin stockings/pantyhose, continuously covering from the thighs to the toes. The material is very lightweight, approximately 10-20D, with an overall milky white semi-transparent effect that reveals natural skin tone and toe outlines. The stockings have a slight fine fiber texture on the calves, ankles, and soles, with soft silk-like reflections under close-up direct flash. The sole area is slightly more transparent due to fabric stretching, with the foot arch contour, heel, and toes naturally visible, but still clearly covered by white thin stockings. Do not generate thick white cotton socks, knee-high socks, bare feet, or shoes. The bed is a simple white/warm-white sheet and bedding, with the subject's forearms and torso pressing into the soft bed surface, creating numerous natural creases and wrinkles in the sheet. Soft white fabric is visible on the left side of the frame and beneath the subject's body, not a refined hotel-style bed, maintaining a real home-use feel. The background is very simple and dim: behind is a light gray-white wall, with a dark doorway or hallway entrance on the upper left/left-back, falling into shadow; the right-back wall is mostly blank, with no complex furniture, decorative paintings, nightstands, or lamps. Background information is minimal, making the subject the absolute focus. The photographic lighting uses a clear close-up phone/compact digital camera front direct flash. The flash illuminates the subject's face, chest, shoulders, arms, and foreground sheets directly from the lens direction, making the skin appear fair and bright, with clear but not overexposed highlights on the nose bridge, cheeks, lips, and collarbones; the room behind the subject quickly darkens, creating a strong light falloff of "bright subject; gray-black background." The black hair must retain strand detail, not become dead black. The overall image has a real social media selfie/friend close-up snapshot feel: slight high-ISO noise, natural digital sharpening, limited dynamic range, slight hard shadows from direct flash, no cinematic color grading, no professional studio soft lighting. The face and foreground upper body are the sharpest, with the feet and distant background allowed extremely slight natural softening, but no heavy blur.