Affiche de conception d'exposition culturelle orientale haut de gamme

【展览主题】：[展览主题] 【中文标题】：[中文标题] 【英文标题】：[英文标题] 【副标题】：[副标题] 【艺术载体】：[艺术载体] 【主视觉内容】：[主视觉内容] 【主题短句】：[主题短句] 【时间】：[时间] 【地点】：[地点] 【主色调】：[主色调] 【画面比例】：9:16 Design a high-end Eastern cultural heritage exhibition poster, combining ancient artistic mediums with modern editorial layout. Use warm ivory white, aged paper, or rice paper texture as the background, preserving natural paper fibers, subtle grain, scanned archival feel, and authentic print wear. Overall restrained, quiet, with historical depth, like the exhibition key visual of a mature museum or art institution. At the top, add an oversized light-colored English serif title, with parts of the text allowed to extend beyond the frame edges, serving as a background-level visual structure; on the left, use a large Chinese main title, which may be arranged vertically or in a vertical column, paired with a smaller exhibition subtitle. At the bottom, centrally arrange the time, location, and a thematic short phrase, and include a small cinnabar seal stamp. On the other side of the composition, place a large [艺术载体] as the main visual, occupying approximately 40%–55% of the frame. Do not display it simply and completely; instead, reconstruct it through partial cropping, fragments, damaged edges, vessel-shaped windows, scrolls, mural flaking, mold cracks, or aged silk texture. Within the [艺术载体], present [主视觉内容], preserving authentic traces of age, material texture, faded pigments, and historical use, making the subject appear as a genuine cultural artifact that has entered the museum after preservation, restoration, or archaeological discovery. Overall, use an asymmetrical editorial composition with clear visual hierarchy: Oversized English → Artifact / Ancient painting subject → Chinese title → Exhibition information. Color centers on [主色调], with overall low saturation, and may incorporate small amounts of ink black, clay gold, ochre, and cinnabar red as structure and accents. The final effect should resemble a museum exhibition poster, cultural publication, and Eastern art institution visual system, rather than an ordinary Chinese-style poster.