Conception d'affiche éditoriale avec une esthétique orientale

【主题】：____ 【核心器物】：____ 【主标题】：____ 【副标题】：____ 【主色】：____ 【贯穿线性元素】：枝条 / 水纹 / 斜线 / 自由曲线 / ____ 【小面积点缀色】：____ Design a 2:3 vertical Oriental artifact editorial poster. Use warm ivory paper texture with subtle fibers and print grain as the base, combined with real artifact photography, Chinese typography, small English text, line drawings, and a few Oriental graphic elements. The composition maintains medium-high information density without clutter. Organize the layout with 2-3 main visual clusters, and design a "visual thread" running through the entire piece, connecting the title, artifacts, and supporting graphics. Elements interweave: text can be partially obscured by artifacts, lines curve around subjects, patterns extend from artifacts into the layout, and large low-contrast characters sit hidden in the background. Typography establishes a clear four-tier scale: giant visual characters / medium Chinese titles / small English text / micro information text. Use horizontal, vertical, and offset arrangements, with local boundary-crossing while the overall structure remains controlled by an invisible grid, creating an "organized chaos" editorial feel. Avoid simply centering the artifact. Use multiple layers such as a complete subject + partial cropping + faint line drawings. In background whitespace, add low-contrast large characters, botanical line drawings, artifact silhouettes, or textures, so the negative space has content without overwhelming the main elements. Overall, use low-saturation primary colors with only one small area of high-recognition accent color for labels, thin lines, or local graphics. The piece should feel elegant, restrained, and convey a modern Eastern cultural design sensibility. Avoid: PowerPoint-style sections, scattered elements, large empty areas without content, simple "artifact + title" placement, template-like logos, numbering, four-corner starbursts, or excessive guochao (Chinese trendy) decoration.