Affiche de Lumière Flottante Poétique Orientale

Generate a 9:16 Eastern poetic flowing-light negative-space poster. Based on the [original poem line], distill a two-character theme [theme] and core emotion [emotion]. Do not directly replicate a complete ancient-style scene. Instead, use a small subject [subject] and a distinct light movement [broken / connected / scattered / gathered / flowing / hidden / transparent] to complete the visual translation. Use a pure white premium handmade art paper background, with approximately 65%-75% large negative space, and the subject occupying only about 8%-20% of the frame. Incorporate meaningful white bas-relief details (rain marks / water ripples / mountain ridges / wind lines / old paths / flower shadows) that appear simple from afar but reveal subtle texture up close. Add localized flows of pearl white, ice blue, pale purple, jade green, champagne gold, and amber gold highlights, allowing light to arise organically from water, porcelain, jade, paper, or spatial pathways, creating a subtle and shifting luminous richness. Keep color areas restrained - no neon or full-screen gradients. Characters may appear in extremely small scale, or be fully omitted, leaving traces of "human presence" via teacups, bamboo staffs, empty chairs, envelopes, glowing windows, etc. The main title uses a two-character Chinese theme, accompanied by a concise poem line, location, date, and an English subtitle. Overall presentation: Eastern poetry × Large negative space × Light relief × Small subject × Material glow × Radiant flowing color × Editorial Design. The key is not to merely make the image glow, but to let light become the verb of the poem.请生成一张9:16的东方诗意流光留白海报。 基于【诗词原句】，提炼两字主题【主题】与核心情绪【情绪】，不直接复刻完整的古风场景，而是通过一个小小的主体【主体】和一种明确的光运动【碎 / 连 / 散 / 聚 / 流 / 隐 / 透】来完成视觉转化。 使用纯白高级手工艺术纸作为背景，留白面积约65%–75%，主体仅占约8%–20%。加入有意义的白色浅浮雕像【雨痕 / 水纹 / 山脊 / 风线 / 旧路 / 花影】，远看简洁，近看细节丰富。 在局部点缀珍珠白、冰蓝、淡紫、青绿、香槟金、琥珀金等流光色，让光从水、瓷、玉、纸或空间路径中自然生发，形成若隐若现的流光溢彩效果。色彩区域保持克制，不使用霓虹色或满屏渐变。 人物可以极小地出现，也可以完全去掉，只通过茶杯、竹杖、空椅子、信笺、亮窗等元素留下“人的存在感”。 主标题使用两字中文主题，配以精简诗句、地点、日期和英文副标题。 整体风格： 东方诗意 × 大留白 × 浅浮雕 × 小主体 × 材质发光 × 流光溢彩 × 编辑设计（Editorial Design）。 重点不是让画面单纯发光，而是让“光成为诗句里的动词”。