Affiche d'exposition d'Asie de l'Est avec typographie en coin

【主题】：____ 【四字中文标题】：____ 【英文标题】：____ 【核心主体】：____ 【主体表现方式】：摄影 / 插画 / 版画 / 拼贴 / 混合媒介 【辅助纹样】：____ 【主色调】：____ 【点缀色】：____ 【日期 / 机构 / 辅助信息】：____ 【画面比例】：9:16 Generate a poster with a mature cultural exhibition and editorial design sensibility, using a "corner-anchored composition." The core visual is composed of a strong subject, oversized Chinese typography, edge information, and negative space - making the text not merely a title but the actual boundary and structural framework of the image. The subject occupies approximately 45%-60% of the frame, remaining complete with clear silhouette and visual weight - do not distort or fragment it for compositional effect. Choose real photography, printmaking, illustration, or mixed media based on the theme, ensuring the subject itself possesses sufficient presence and artistic quality. Distribute the four-character Chinese title across the four corners or edges of the frame, but avoid equal size, equal spacing, or perfect symmetry. Select 1-2 characters as primary pressure points, significantly enlarged and partially cropped out of frame; the remaining characters serve as secondary responses. Allow genuine interweaving between subject and large type - figures, animals, objects, waves, branches, or sleeves passing in front of and behind the glyphs, so that "the characters sit behind the subject, and the subject grows out of the characters," creating rich spatial depth. English title, date, institution, and descriptive text are concentrated in 2-3 edge zones, mixing horizontal, vertical, and ultra-small type. Create strong contrast through oversized Chinese, medium English, and minuscule information - do not arrange small text into neat columns, nor scatter it evenly across the image. Use only one set of auxiliary motifs directly related to the theme - drum-radiating lines for mask themes, angular or botanical linework for mountain themes, wave patterns for ocean themes, wind lines for landscape themes. Motifs may be repeated, enlarged, cropped at edges, or faded, but do not introduce multiple unrelated decorative systems. The background cannot be completely blank - add extremely subtle paper texture, print grain, thematic linework, pattern remnants, or archival information so the negative space "has content," while the subject remains clearly legible from a distance. Limit color to 3-4 primary hues with a clear chromatic stance. Ensure sufficient contrast between subject, giant type, and background, while avoiding excessive color competition. The reading order must be clear: First glance - strong subject and oversized corner-anchored text; Second glance - the occlusion, interweaving, and irregular relationships between subject and type; Third glance - English text, dates, and auxiliary information. Target effect: East Asian cultural exhibition poster, editorial design, art publication sensibility - information-rich yet uncluttered, with large type, subject, and negative space interlocking, pressure at the edges and focus at the center. Even with all small text removed, the image should stand alone as a complete visual work.