Prompt cinématographique de portrait en bord d'eau de Jiangnan

Hyper-realistic cinematic Chinese ancient-style portrait photography, a young East Asian woman in her 20s sits alone on a worn-out wupeng boat in a Jiangnan water town or classical garden canal, vertical composition, approximately 2:3 ratio, medium-wide to full-body framing, subject positioned center-right, occupying about 55%–60% of the frame. She sits sideways on the wooden bow, legs naturally folded, wide skirt spread across the planks. Her right hand is raised, lightly holding a small pale celadon teacup near her chest, left hand resting naturally on her knee. She does not look directly at the camera, instead turning slightly to gaze toward the distant left side of the frame, expression calm, gentle, reserved, with a faint smile at the corners of her lips, like someone quietly sipping tea and enjoying the scenery alone on the boat. She has a delicate, soft oval face, natural jawline, dark brown almond eyes, slender straight nose, and natural nude-pink lips. Her makeup is subtle and classical: sheer natural base, light brown eyeshadow, fine eyeliner, soft brow shape, low-saturation peach blush, and nude-pink lip color. Black hair is styled in a traditional half-up bun or low-hanging chignon, with thin strands falling on both sides over her chest; the bun is adorned with pale green jade, white flowers, and small hairpins, with a translucent light-colored ribbon trailing behind. She wears a traditional Hanfu in pale gray-blue, smoke green, or moon-white with a cyan tint, cross-collar with right lapel, layered inner garments, ivory-white inner layer, and an extremely sheer, semi-transparent wide-sleeved outer robe with fine hidden patterns, floral embroidery, or jacquard texture. Wide cuffs drape naturally, and the skirt is built from multiple layers of ivory-white and pale green sheer gauze, softly spreading across the bow. The fabric texture is light, translucent, and refined, avoiding a stage-costume feel, with no logos or modern elements. The wupeng boat is clearly aged, with dark ochre-near-black planks showing cracks, peeling, moisture, and years of erosion, and a low arched wooden canopy with old window frames at the rear right. On the bow sits a pale celadon narrow-necked wine flask, lotus leaves, a single pale pink lotus flower, and a slightly unrolled ancient calligraphy scroll, forming a still-life foreground. The surroundings are a quiet Jiangnan river-lake scene, water surface in gray-green and blue-gray tones, soft ripples reflecting the trees. The background features large cascading branches, green young leaves, riverside trees, and hazy garden scenery, with overhead branches creating a natural framing. The distance is softened by light mist and shallow depth of field, evoking a moist spring-morning atmosphere. Soft morning natural light, sunlight from the upper left filtering through leaves creates dappled side lighting, casting delicate highlights on her face, shoulders, cuffs, and skirt, while leaving soft reflections on the water. Overall low saturation, low contrast, with gray-green, smoke white, old wood ochre, and natural skin tones as the palette, accented by slight mist and atmospheric perspective. Use a 50mm or 85mm lens, f/2.8–4, ISO 200–400, 1/250s, medium-shallow depth of field. Preserve real skin pores, hair strands, silk and gauze texture, porcelain glaze, old wood cracks, water reflections, and lotus leaf details. Subtle film grain, soft highlight bloom. Avoid plastic skin, CG look, HDR, oversharpening, incorrect Hanfu structure, deformed fingers, duplicated objects, or extra figures. Overall style: high-end Chinese ancient-style cinematic still, Jiangnan water town fine-art portrait, Song-dynasty oriental aesthetics, elegant, poetic, quiet, reserved. No text, no logos, no watermark.