Affiche de voyage en collage demi-teintes ASCII

Please generate one independent "ASCII HALF TONE TRAVEL COLLAGE | Character Dot Matrix Travel Collage" high-contrast poster for each travel photo I upload. Do not combine multiple images into one layout - output each photo individually. The overall composition is vertical, consisting of two zones stacked top and bottom. The upper and lower zones are close to a 1:1 ratio, divided by a clear, straight horizontal boundary. 【Upper section | Original photography】 The upper section keeps the original photo. Accurately preserve the identity of people, architectural structure, vehicle shapes, natural landscape, spatial relationships, shooting angle, direction of light and color atmosphere in the original image. Do not redraw, replace, distort or stretch the subjects. Apply only subtle high-end photographic color grading so the photo has the texture of independent magazine, travel publication and exhibition photography. To fit the layout, you may naturally extend the sky, road, walls or environmental background, but you cannot alter the original subjects. 【Lower section | Character halftone collage】 Extract the most identifiable core visual subject from the photo, for example: Landmark building, architectural detail, archway, colonnade, vehicle, sculpture, boat, human pose, street object, or silhouette of a natural landscape. Do not fully reproduce the original composition, and do not lay an ASCII filter over the entire photo. Recrop, enlarge, reduce or change local proportions of the subject, then reorganize the picture with torn photographic fragments, black photocopy halftone dots, monospaced ASCII characters, overprint lines, registration marks and paper margins. Let some zones of the subject retain a realistic photographic texture, while other zones gradually dissolve into a density structure built from these characters: . : / | + = # @ Arrange the characters along the volume, shading, contour or movement of the subject so that they truly participate in modeling the form, rather than functioning as a meaningless code background. Add black halftone dots of varying weight, photocopy grain, local ink dropout, slight misregistration, torn white paper fibers and a few measurement lines. One restrained calibration red line, swatch or registration mark is allowed, but red must not be used over large areas. Keep about 25% to 40% of the lower section as continuous off-white or warm gray paper margin, so that photographic fragments, character zones and halftone dots can breathe. Derive the color palette from the original photo. Keep the colors that best represent the place or the subject, but reduce overall saturation, and unify the palette with warm gray paper tone, black ink and a small amount of registration red. 【Text system】 From the place, subject or on-site condition of the photo, extract: 1. A short, clear English main title; 2. An archive code, for example "REC. STUDY 01"; 3. A short English observation text. The text must have actual meaning and remain clearly legible. Do not generate gibberish or meaningless codes. The main title uses models from alphanumeric mid-journey dynamic stylish typewriter font; the code and observation text can be slightly smaller but must not shrink into unreadable decoration. The text should follow the margins, torn paper edges, halftone structures or calibration lines and feel like part of the picture. Overall, present the visual temperament of an independent publication, experimental photography book, analog photocopy archive and travel observation record: calm, raw, restrained, intelligent, while keeping the real temperature of the travel site. Avoid black terminal interfaces, computer code windows, cyberpunk neon, full-screen characters, full-frame ASCII filters, random logos, gibberish, text too small to read, pure black backgrounds, template-style layouts, and cheap glitch effects.