Planche éditoriale de poses en portrait sur grille 16 cases avec visage masqué

Universal 🔵 GPT image 2.5 Prompt: 16-grid pose chart × Editorial portrait photography × Subject: [XXX] Generate 1 complete 9:16 vertical 4×4 figure pose chart, with 16 independent frames in total. Highest priority: The body structure in the 16 grids must strictly correspond to 01 through 16. Differences must not be created solely through camera angle, subject orientation, expression, or cropping; differences must come from body structure, with each grid using a different body support, leg, or torso structure. I. Subject consistency The 16 grids must maintain the same subject's identity, appearance, body type, hairstyle, hair color, clothing, accessories, and core visual features; hair, hem, and folds may change naturally with movement. The subject always remains the primary visual subject. The subject's identity, clothing, and visual features must not drift due to pose changes. II. 16 poses 01 Rear kneeling seated pose Both knees on the ground, hips pushed back toward the heels, body facing away from the camera, torso kept upright, forming a clear rear figure silhouette. 02 Side-extended leg kneeling seated pose Both knees on the ground, one leg extended to the side of the body, the other leg kept bent, torso upright, forming a clear lateral leg line. 03 Four-point diagonal kneeling pose Both hands and both knees on the ground, forming a clear four-point support, body in a distinct diagonal structure, one leg extended diagonally forward to the side. 04 Prone single leg lifted pose Body fully prone, upper body supported by the forearms, one leg bent and lifted backward and upward, the other leg kept extended. 05 Pure side-lying extended leg pose Body fully on its side, one arm supporting the upper body, legs extended along the body's direction, forming a clear pure side profile. 06 Side-seated rear-supported extended leg pose Seated position, one leg extended forward, the other leg bent and tucked in, body leaning backward, one hand on the ground behind to bear weight. 07 Front-facing wide kneeling seated pose Both knees on the ground, body facing the camera, legs spread wide to the left and right, hands placed naturally. 08 Single arm raised seated pose Seated position, one leg bent and tucked in, the other leg naturally extended, one arm reaching upward, the other arm supporting or maintaining balance. 09 Prone forward extension pose Body fully prone, legs extended backward, arms fully extended forward in front of the body, forming a clear depth direction. 10 Rear side-kneeling extended leg pose Body facing away or diagonally away from the camera, both knees on the ground, one leg fully extended to the rear side of the body, upper body kept upright. 11 Supine bent knee pose Body fully supine, back on the ground, both knees bent upward, feet close to the ground, head and shoulders kept on the ground. 12 Extremely low rear four-point pose Both hands and both feet on the ground, hips clearly raised, body forming a compact inverted V structure, presenting a high-hip low-body four-point structure, observed from a low rear camera position. 13 Seated leg-encircling pose Seated position, legs drawn together and crossed in front of the body, arms encircling the legs, upper body slightly contracted forward. 14 Side-lying head-supported bent leg pose Body fully on its side, one hand supporting the head, both legs bent and drawn toward the body at the same time. 15 Supine leg raise pose Body fully supine, both legs clearly lifted off the ground and bent upward, forming a prominent vertical leg structure. 16 Rear-supported side-seated tucked leg pose Seated position, both legs fully drawn together and folded to one side of the body, body clearly leaning backward, one hand on the ground behind, the other hand placed naturally, forming a compact lateral silhouette. The 16 poses must have clear body structure differences, strictly executed according to 01 through 16, without swapping, repeating, or omitting. III. Grid composition Strict arrangement: 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 Each grid presents only one complete subject and the corresponding pose. Unified Editorial portrait photography language, figure scale, clothing system, and background logic. The subject is fully in frame, with clear body structure, hands, feet, knees, elbows, and support relationships. Grid boundaries are clear, with no overlap, no cross-grid intrusion, no pose swapping, no omission, and no repetition. IV. Background system Extract the main color and adjacent colors based on the subject's clothing, hair color, representative color, and visual identity, using at most two core hues, to generate a low-saturation, low-contrast minimalist gradient background. Use only large areas of pure color and slow gradients, without adding environments, props, textures, complex lighting, or decorative elements. The 16 grids share the same gradient logic, remaining unified, clean, and continuous, while preserving large areas of negative space. The background must not form a specific scene. V. 16-grid hidden visual Treat the 16 backgrounds as one continuous large gradient plane. Fixed hidden visual: a low-contrast 45-degree side profile silhouette of the subject itself. Generate the silhouette based on the subject's facial features, hairstyle, and core visual features, blending it into the background with extremely subtle light and dark variation, and split it continuously into 16 segments, naturally connected in a 4×4 layout. The hidden silhouette uses only the current subject's features, without introducing other figures; keep it low-contrast, low-saturation, and weakly visible, existing only in the background negative space. Only abstract continuous light and dark forms are shown, without presenting specific facial features such as eyes, nose, or mouth. A single grid can only show partial light and dark forms; the complete side profile can only be recognized when viewing the full 4×4. It must not cover the subject, interfere with poses, add extra figures, form a second subject, or produce a watermark effect; the hidden silhouette must not become an independent face. VI. Visual hierarchy First layer: the subject and the 16 poses. Second layer: the minimalist low-saturation gradient background. Third layer: the 16-grid continuous hidden visual. Subject clarity takes priority over background continuity, and background continuity takes priority over the hidden visual. VII. Final output Generate only 1 complete 9:16 vertical image, internally composed of a 4×4 grid of 16 independent figure frames. Strictly execute according to 01 through 16, without omission or repetition. Do not add titles, explanatory text, logos, magazine layout text, or any other typographic elements. Each grid is a complete, clear Editorial portrait pose frame; the whole forms a unified 16-grid chart, with the subject's 45-degree side profile silhouette hidden in the background, collectively composed of the 16 grids.