Fisheye fashion action micro-film outside a warehouse (Seedance 2.0)

Create a 15 second hyper realistic fashion/action micro-film in 16:9, 24 fps, outdoors beside a large industrial warehouse in late afternoon sun. One confident young woman is the only subject: black sleeveless fitted crop top, loose faded gray cargo pants with dark knee panels, clean white sneakers, oversized black wraparound sunglasses, chunky silver chain, hoop earrings, dark hair in a high ponytail. Keep face, body proportions, wardrobe, hair and accessories consistent in every shot. Visual language: energetic close-proximity action-camera cinematography with a 10–12 mm ultra-wide/fisheye feel, natural barrel distortion, slight handheld micro-jitter, realistic motion blur, tiny exposure shifts and imperfect reframing. Never float like a drone; camera should feel physically held, grabbed, lowered, tilted or placed on the ground. Preserve believable gravity, foot contact, fabric movement, hair inertia, shadows and skin texture. Environment: empty service road, pale cream corrugated shutters, dark weathered steel structure above, curb and gray paving blocks, distant industrial building, saturated blue sky with a few clouds. Warm hard sunlight from camera-left creates long crisp shadows, bright skin highlights and deep natural contrast. Grade sun-warmed skin and beige metal against cyan-blue sky, with subtle film grain and no plastic HDR look. 0–2s: start very low and wide near the curb, looking diagonally up the long warehouse wall. She walks toward camera with relaxed swagger while camera backs up slightly. At 1s she pushes a closed fist toward the lens until it fills the foreground, then retracts it with a faint smirk. 2–3.5s: cut to ground level. She leans over the lens, reaches toward it with both hands, then steps across camera. One sneaker sole passes extremely close overhead; use a fast physical wipe/splash-like lens transition timed to the foot crossing. 3.5–5.5s: snap to a chest-height close shot beside the shutter. Ponytail swings. She stares into lens, adjusts sunglasses with both hands, then drops into a casual seated/crouched pose and reaches toward camera. 5.5–7s: hard cut to a dramatic low-upward angle, sky filling most of frame. She turns and lets hair whip naturally; brief warm light leak as camera swings through direct sun. 7–8.5s: overhead selfie-style angle, arm visibly extended. She walks along the wall looking up into lens; camera bobs with each step, perspective exaggerating arm and shoulders. 8.5–10s: centered full-body shot against the shutter. She holds still for a beat, then walks straight toward lens. Keep her long shadow visible. 10–11.5s: camera rolls roughly 70–90 degrees during a quick side move, then settles into a seated close-up against the wall. She turns her face slightly into the sun. 11.5–12.5s: rapid overhead handheld selfie insert with a warmer rough concrete/gravel background; sunglasses briefly off, direct eye contact, one loose hair strand in wind. Cut back to the warehouse selfie angle as she makes a playful kiss expression. 12.5–15s: extreme low ground-level fisheye finish. She steps over/around the lens, then crouches toward it, hands near knees, holding direct confident eye contact. End on natural micro-movement, not a frozen pose. Editing: punchy hard cuts every 0.8–1.6s, one foot-wipe transition, one brief sun flare. No morphing, teleporting, duplicate limbs, warped hands, unstable face, text, logos or beauty-filter look. Audio: original instrumental only, no vocals. Modern underground fashion beat, 105–115 BPM, punchy kick, tight snare/clap, muted sub-bass, sparse metallic percussion and subtle street ambience. Sync fist-to-lens, shoe pass, camera roll and final crouch to beat accents. Add quiet shoe scuffs, fabric movement and a short whoosh on the foot transition.