Pflanzen-Rekonstruktions-Posterdesign-Prompt

Please create each uploaded photo into a separate, high-end design poster - no multi-image collages, each photo output individually. Overall use a 3:4 vertical composition, with the upper and lower zones strictly 1:1 in height, each occupying 50% of the frame. The upper half retains the original photograph, preserving the subject's structure, authentic texture, natural light and shadow, and original color atmosphere - only applying subtle high-end photographic color grading to give it the quality of an art magazine, independent publication, or exhibition photograph. To fit the aspect ratio, the sky, ground, or environmental background may be naturally extended, but the subject must not be stretched, distorted, or altered. The lower half extracts the most recognizable **subject, silhouette, posture, and narrative relationships** from the photo, reconstructed as an editorial illustration assembled from real natural materials. Use clearly identifiable leaves, petals, branches, fruits, seeds, grass stems, bark, or dried leaves - directly utilizing their original shapes, textures, color variations, and irregular edges to compose the subject. Do not cut plants into overly precise geometric forms, and do not wrap plants in illustration outlines; let viewers both recognize the original subject and clearly see it is cleverly assembled from real natural elements. The composition establishes order through a simple rectangular color field or paper area, but do not deliberately draw a complete border. The subject maintains a natural inside-outside relationship with the rectangle - mostly falling within the color field, with a few most directional parts naturally extending beyond the edge, creating an effortless sense of overflow; like plants growing out of the layout, not posing deliberately to "break the frame." Maintain generous negative space, a clear focal point, and asymmetry, allowing the serendipity of natural materials to coexist with the order of editorial design. Black lines serve only as **minimal auxiliary language** - not outlining the entire subject. They may be used for eyes, mouths, minimal expressions, subtle action cues, local connections, short strokes, handwritten marks, or slight visual rhythm in the layout; lines should be thin, loose, and slightly hand-drawn in feel, letting the plants themselves carry the subject's form and silhouette. The color palette is extracted from the most vital and recognizable color character of the photo above, then re-translated through the natural plants' own colors. Preserve the real composite color differences of leaves, petals, fruits, and dried branches - do not over-unify with dyeing; the background uses light or soft composite colors harmonious with the original image, making the natural materials the visual center. The overall feel is fresh, restrained, alive, and not cluttered. Text remains minimal, serving as a lightweight element in the editorial design. Extract a short English title and a few micro-annotations from the photo's mood, action, relationship, or metaphor - positioned near the edge of the rectangular color field, suspended in negative space, or subtly aligned with a branch or leaf direction. Do not compete with the subject, and do not make it a conventional poster headline. The overall visual relationship is **real natural materials × subtle black hand-drawn marks × geometric color field × natural overflow** - maintaining a handmade, intelligent, relaxed, poetic, and high-end editorial feel. Avoid complete black outlines, plants cut into regular color blocks, children's leaf collage aesthetics, deliberate frame-breaking, cartoonish collage, and templated compositions.