Prompt für minimalistisches Poster-Redesign

Translate every one of my photos into a standalone premium design poster, with multi-image composition, each photo output individually. Overall use a 3:4 vertical layout, with a 2x2 area at a height of 5 cells at 1:1, each occupying 50% of the frame. Keep the original photo in the upper half, preserving the main subject, structure, pose, realistic texture, natural light and shadow, and original color atmosphere. Only apply subtle premium color grading to give it an artistic, independent publication exhibition image quality. A frame may be added where appropriate, and the environment background may be naturally extended, but do not stretch, distort, or alter the subject. Create a completely new independent artistic judgment and composition in the lower half. Do not copy the original photo layout, and do not trace every object. First understand what is truly worth keeping from the original image - the subject, structural flow, subject relationships, and visual focus - then recompose through deletion, rearrangement, cropping, size variation, auxiliary adjustments, and negative space. Even if the original subject is small, the background is cluttered, or the composition is ordinary, actively correct it so the lower half becomes a complete, valid, aesthetically considered piece on its own. Reassemble the retained key subjects, partial structures, or related objects into a hand-drawn pencil sketch style subject combination drawing. Use graphite pencil lines, natural hatching, light cross-hatching, and subtle gray tones. Keep the forms slightly loose, raw, and painterly; do not pursue academic realism or complex perspective. Draw only the most meaningful parts, so the viewer instantly senses its connection to the original photo, but it is not a sketch copy of the photo. Emphasize generous meaningful negative space in the composition. Negative space is not background; it is an equal compositional element alongside the subject. Arrange it freely based on subject direction, proportion, and visual weight - it may be offset, edge-hugging, hovering, enlarged, reduced, or partially cropped - and build breathing room, rhythm, and cadence through shape, density, clustering, and asymmetrical balance. Information may be removed, but do not fill the frame. Overall use black-and-white or natural graphite gray tones, with at most 1-2 recognizable colors extracted from the original image for minimal localized accent. Text should have only minimal functional intervention, with no language or fixed format restrictions; freely generate a few words or short phrases based on subject, location, mood, or metaphor, quietly integrated into the negative space, forming the layout together with the image. The overall result should present a recomposed frame, pencil drawing, subject combination, deliberate deletion, abundant artistic negative space, and premium typography. Avoid photo copying, traditional academic sketching, complex backgrounds, filled frames, excessive detail, mechanical layout, and template feel.