Hyperrealistisches Retro-Innenraumporträt-Prompt

Hyperrealistic retro interior direct-flash portrait photography, vertical format approximately 4:5, a young adult East Asian woman standing in an indoor space with a vintage fireplace/wooden wall cabinet, seen from a three-quarter rear-side view as she looks back toward the lens. Shot with an equivalent 35–50mm phone/portable camera lens, photographer positioned about 1.5–2 meters from the subject, camera placed near waist height with a slight upward tilt. The subject is captured from the top of her head to her lower calves and high heels, positioned slightly right of center in the frame, occupying about 88–92% of the frame's height; the left side and upper area fully preserve a wall lamp, table lamp, wooden cabinet, fireplace mantel, photo frame, and white feather decorations. Maintain authentic nighttime indoor direct-flash perspective lines, no fisheye effect, no obvious background blur. The subject is a young adult East Asian female, medium-to-slightly-small bone structure, moderately narrow shoulders, naturally full upper body, short and clearly defined waist, moderately wide pelvis and hips, rounded buttocks, full and thick upper thighs. Overall a toned natural hourglass proportion: moderately narrow shoulders and back; full upper body; short waist; obvious waist-to-hip contrast; rounded buttocks; full thighs. Do not create a paper-thin model figure, long torso, narrow hips with thin legs, muscular athletic type, or an exaggerated "huge buttocks + thin legs" distorted structure. The subject's body faces primarily toward the right side of the frame, with her back and left buttock region closer to the camera, pelvis angled about 60–70° toward the right-front, while her upper torso twists significantly toward her left-back, bringing her shoulders and face back toward the lens, creating a clear waist twist; a turning-back posture. The spine maintains a natural S-curve, without exaggerated bending of the lower back. Her right arm extends toward the upper-right of the frame, elbow slightly bent, right hand lightly holding or resting on the fire-place mantel's or shelf's a matte gray ceramic v-scape with a natural hand position, fingers relaxed and naturally spread. The left arm remains mostly on the other side or partially hidden by the torso, with no intentionally exaggerated hand gesture. The lower body adopts a clearly asymmetrical stance: the leg closer to the camera serves as the main support leg, with the knee nearly straight; the other leg bends back approximately 90 degrees at the knee, the little toe and heel of the lifted foot facing downward, the black high heel positioned near the other leg's calf, creating a slight cross. legs not together, do not lift the bent leg too high. Head, torso, light tilt to the subject's left, chin slightly lifted, eyes looking directly at the lens. Expression: relaxed, quiet, slightly lazy, lips naturally parted without a grin, no forced smile. The subject has very long dark brown-black wavy hair reaching to her waist or even lower, thick and dense. Parted on the side, no straight heavy bangs across the forehead, only a few natural thin strands falling near her face. The hair tapers from the back of the head down the back in long, heavy wavy strands, with natural large bends at the ends. A small piece of white fabric flower or a white silk bow flower is pinned on the left side of the head, just behind the ear or slightly top of head, modest in size, not turning into a massive hair ornament. Face shape is soft, small, slightly egg-shaped, with a delicate jawline, fairer-with-warm skin tone. Dark-brown almond-shaped eyes with natural double eyelids, defined black eyeliner with a slight upward wing, visible natural lashes. Natural, moderately thin eyebrows. Small, straight nose. Naturally full lips, a shade of balm pink like a nude-rose nude-brown, with a hint of watery highlight. Light blush on the cheeks. Skin retains visible pores, subtle color variations, and direct-flash highlights, no plastic-smooth or airbrushed effect. The neck is decorated with a pure black wide choker, fitted to the neck, made of embraid or soft leather, without a large pendant. The upper body is a black, glossy, vintage maid/retro stage vibe with an open-back one-piece top, overall not a normal dress but a black glossy bodysuit/corset with white lace/rutched trim handling. The body material is black satin, glossy, lacquered-stretch or low-luster PU, closely conforming to the bust, waist, and torso, producing noticeable but not harsh highlights under direct flash. The back is largely an open-back design: skin from the center of the shoulder blades down to the lower back is bare, with only black structural fabric on the sides of the torso, shoulders, and waist. The back is not fully covered, nor is it made into a simple tank top. The shoulders feature noticeable white ruffle-sleeve or layered lace trim, forming small wavy white pan-like decorative flounces to the sides on each shoulder, creating a strong black-and-white contrast. The white trim is medium-sized, not exaggerated into puffy sleeves. A small white bow (butterfly bow) is positioned at the lower back, tied horizon-contally at the right-rear waist, with two white fabric loops extending outward to each side of the waist and a few short tails naturally hanging down. The bow must be attached to the waist-back, not on top of the head or on the chest. The lower body is a single-piece high-waist, high-cut garter bodysuit/base that attaches to the upper piece, with the hips and pelvis covered entirely in black gloss fabric, leg openings cut higher to emphasize the waist-hip curve but remain otherwise as a garment, not to exposure. From the lower bottom edge of the garment, black garter straps extend down toward the thigh area, one visible strap on each inner/outer side, connecting to the top edge of black thigh-high stockings. The legs are in dark grey or transparent, ultra-thin, semi-sheer of very thin large, about 10–15 denier, clearly showing skin tone. The top band of the stockings sits in the mid-upper thigh, with a wide black semi-transparent lace top hem - fine, vintage, continuous pattern. The garter straps and stocking tops connect clearly without creating complex multi-layer webbing. The stockings show natural depth variations at the thighs, knees, calves, and feet, with edges slightly deeper at overlap areas, and delicate silky highlights on the surface. Do not use fishnet, white socks, or fully opaque thick black stockings. The feet wear black pointed-toe high heels, heel height approximately 8–10 cm, shoe upper black glossy leather/lacquer. The toes are long, pointed, sharp; the instep has a thin black band or simple shoe construction. The lifted foot with the shoe remains fully on, with a point that is not chunked-heel, platform, or closed-toe boot. The setting is a European-style vintage-inspired interior room. Behind the model to the right is a dark reddish-brown solid wood fireplace mantel / wood wall cabinet, with rich wood color and clear carved line details and panel-edged in depth, occupying the lower-right area of the frame. On the mantel is a horizontal black photo frame containing a black-and-white architectural/urban street photograph, the frame slightly angled back. No text needs to be read accurately. To the right of the photo frame is a large white feather arrangement, esthar brick-like ostrich feathers, fluffy, soft, spreading upward to the right side of the frame in a large area. At the base of the feathers is a clear white satin ribbon bow, with the ribbon ends trailing down. Near the woman's right-hand area on the mantel is a matte gray ceramic vase / decorative vessel, simple in shape, neutral in color. The background wall is a warm gray-brown, light ochre vintage textured wall, old-wallpaper or plaster texture. Above left on the wall is a mounted classical black metal wall lamp with a white glass shade, emitting warm glow, lightly warm yellow light.