Geometrisches Dekonstruktions-Poster-Prompt

Please create each of the uploaded photos as an individual, standalone high-end design poster - no multi-image collages, each photo output separately. Overall format is 3:4 portrait, with the upper and lower areas strictly 1:1 in height, each occupying 50% of the frame. The upper half retains the original photo, preserving the subject's identity, structure, pose, realistic texture, natural lighting, and original color atmosphere. Apply only slight, refined color grading to give it the quality of an art magazine, independent publication, or exhibition image. To fit the frame, the environmental background may be naturally extended, but the subject must not be stretched, distorted, or altered. The lower half extracts the most recognizable subject, silhouette, structure, pose, and narrative relationships from the photo, reinterpreting them as block-based, modular geometric deconstruction illustration. Do not replicate the photo in full and do not render it realistically - instead, remove irrelevant details and keep only the visual memory points that best represent the original subject's identity and character. Rebuild the image through geometric simplification, shape layering, and collage-style recombination so that its correspondence to the photo above is immediately recognizable. The overall form emphasizes blockiness, modularity, geometric division, and complete, solid planes. Geometric fragmentation should not be overly fine - do not break it into countless small pieces. Instead, organize the subject with fewer, larger, more complete rectangles, squares, rounded squares, ellipses, triangles, and irregular planes. People can be shown with angular faces, clear jawlines, and faceted facial features; architecture can be translated into monolithic volumes, facade divisions, rhythmic window openings, and structural turns; animals, plants, objects, and landscapes should also be distilled into geometric forms with block-like order and modular relationships. Moderate exaggeration and distortion are allowed, but the overall result must be mature, restrained, and clean - avoiding fussiness, childlike effects, and over-fragmented composition. The overall style uses flat color blocks + collage-like construction + modernist geometric language. Color blocks are reassembled like pieces of paper, creating a distinct yet orderly cut-and-paste feel; complex backgrounds are deliberately removed, keeping only a few necessary shapes or supporting planes without forming a second visual focus. The composition maintains a relationship of small-scale subject / large areas of whitespace. Position is arranged freely according to the subject's own direction, proportion, visual weight, and structural flow - it may be off-center, edge-hugging, or partially cropped, but always with clear hierarchy, rhythm between density and openness, and editorial balance. The overall image values positive and negative space, plane weight, breathing room, and typographic order, giving the lower half both artistic sensibility and a premium publication quality. The material treatment presents a soft paper grain and a subtle printmaking feel: the geometric color blocks carry a delicate paper texture, gentle noise, and slight printing texture, making the image closer to a paper collage or art print. Avoid smooth vector looks, 3D rendering, photo filters, and over-polished finishes. The color palette is drawn from 2-4 of the most distinctive, appealing, and character-defining colors in the photo above, reorganized into a more refined color system. The overall tone can be gently brightened, purified, and desaturated of gray, shifting toward cream white, apricot, peach pink, coral orange, misty blue, gray-green, sage green, warm brown, soft purple, and other lighter, more modern, more pleasing color-block relationships. The main color is vivid but not harsh, the supporting colors are soft and layered, and the overall mood is clean, warm, stylish, and approachable - avoiding earthy yellow, dirty gray, dark brown, neon colors, cheap candy tones, and cluttered palettes. Text is used sparingly, with no language restriction. Based on the subject's identity, place, mood, character, or symbolic meaning, you may freely distill a short title, small caption, number, or descriptive fragment. Text should be small, light, and restrained, naturally placed in whitespace areas or along the edges of the layout, forming a refined graphic-typographic relationship - not commercial headline stacking. The overall result is the visual combination of complete, substantial planes with geometric deconstruction, restrained collage, soft premium colors, paper grain, generous whitespace, and editorial layout. Whether the subject is a person, building, animal, plant, object, or natural landscape, it must maintain clear identity, modular geometric order, and a unified artistic language. Avoid realistic rendering, over-fragmented cutting, childlike collage, complex perspective, overly dense detail, cartoonish effects, 3D looks, template-style poster aesthetics, and cheap souvenir-shop vibes.