Chinesische poetische Kunstposter-Aufforderung

Create a 9:16 vertical Oriental poetic negative-space art poster, transforming the [core emotion] from the [original poem line] into a visible emotional state. Use pure white or slightly cool-toned premium handmade art paper as the background, preserving real paper fibers, pulp granules, and natural creases. Maintain approximately 65%–75% effective negative space; the main subject should not be oversized - the [small subject] should occupy only about 8%–20% of the frame, allowing the blank space itself to express distance, waiting, memory, and a sense of incompletion. Do not directly replicate the full scene from the poem; instead, choose a small, distinct object as the emotional anchor, then convey the emotional state through color shifts, fading, accumulation, afterimages, or motion paths. Add low-contrast, shallow [embossed textures] related to the theme in the background. The embossing must not be merely decorative but should suggest traces of what once existed, is changing, or has not yet arrived - such as a gradually rising old waterline, repeated misaligned butterfly wings, faded flower shadows, wing marks left after flight, or wind lines extending into the distance. From afar, the image stays clean; up close, hidden details emerge. Use the [primary color system]; colors can be vivid, beautiful, and emotionally charged - do not resort to all black, white, and gray simply because the theme is melancholic. Colors should naturally shift in intensity, fade, become transparent, or disperse according to distance, time, or state. All water lines, silk threads, wind lines, rain streaks, and motion trails must be continuous, soft, and natural, avoiding excessive breaks, fragmented strokes, or chaotic AI textures. A tiny human figure may be included, but not necessarily in every piece. Figures are used only to establish scale and emotion - no crying, no dramatic gestures. Figures may also be omitted entirely, allowing small subjects like flowers, rain, butterflies, or birds to carry the narrative independently. The Chinese main title uses a [two-character theme], set in modern Song typeface, Ming typeface, or an editorial-style Chinese serif font. Design interest can be added through letter spacing, slight misalignment, thin lines, or partial extension, but the characters must remain complete, accurate, and legible. Include small-size poem lines, location, date, and a brief English title. The overall effect should combine classical poetic emotion, paper material experimentation, shallow relief art, and modern Editorial Design: clean and spacious at first glance, revealing the subject on second look, and exposing those "unfinished" traces only upon close inspection.