Chinesisches Ästhetik-Posterdesign-Prompt

Translate the following text into German, preserving all placeholders, brand names, technical parameters, and structural elements exactly as they appear. Do not use em-dashes; use a hyphen with spaces instead. Output only the translation without any additional commentary or formatting. --- Please create each uploaded photo as an independent, high-end design poster. Do not combine multiple images into one layout; each photo is output separately. The overall format is a 3:4 vertical composition, with the upper and lower areas strictly divided at a 1:1 ratio, each occupying 50% of the frame. The upper half retains the original photograph, preserving the main subject's structure, realistic texture, natural lighting, and original color atmosphere. Only light, high-end photographic color grading is applied to give it the quality of an art magazine, independent publication, or exhibition photograph. To fit the aspect ratio, the sky, ground, or environmental background may be naturally extended, but the subject must not be stretched, distorted, or altered. The lower half extracts the most recognizable subject, silhouette, posture, and narrative relationships from the photo, reconstructing them into a soft, hazy, atmospheric illustration with an Eastern framed-order sensibility. Use traditional Chinese architectural window forms - such as circular windows, lattice windows, pierced windows, moon gates, fan-shaped windows, hexagonal windows, or geometric grilles - as the primary structural framework, selecting the most appropriate form based on the subject's shape rather than applying it mechanically. The subject, branch shadows, light spots, or abstract projections appear within, pass through, overlap, or spill beyond the window form, so that the frame both anchors the composition's order and creates layered spatial depth between the real and the illusory. The composition emphasizes visual weight, proportional relationships, positive and negative space, and rhythmic whitespace. The window form need not be perfectly centered; it may be slightly offset, partially cropped, or suspended to one side of the frame. The subject and light and shadow establish a primary-secondary relationship around the window form, building a stable yet poetic visual triangle through one main light area, one quiet expanse of whitespace, and a few soft shadows. Avoid even filling, excessive symmetry, and complex ornamentation. Let the image appear simple while possessing clear spatial order and breathing room. The background is not fixed to deep blue. Instead, extract a very light, low-saturation, clean composite color from the upper photograph that harmonizes with the original image - such as misty blue, pale cyan, light apricot, soft pink, gray-green, warm off-white, or very pale lavender-gray - creating a gentle yet distinct tonal contrast between background and subject. Light and shadow are refined from the most vibrant colors in the original image, which may be moderately brightened and purified to form a soft, warm-cool echo. Overall, avoid dirty grays, heavy dark bases, fluorescent colors, and harsh high contrast. Texture employs fine airbrush grain, pastel powder, airy soft focus, and diffused light, with shadow edges naturally blurred and carrying slight grain, dust, and color bleeding. The window lattice itself may be slightly sharper than the light and shadow but should remain soft, without hard architectural outlining. Let the image feel like sunlight cast through a traditional window lattice onto a pale wall, gently blurred by memory and air. Typography serves as a small, orderly intervention within the composition. Distill an extremely short English title from the photo's mood, time, action, temperature, or metaphor, paired with a few location words, state words, or a micro-phrase. Text may be arranged along the window frame's edges, curves, axes, or within light-and-shadow whitespace, creating alignment, encircling, offset, or interweaving relationships with the window form. Use very small type sizes, light weights, and wide letter spacing to achieve a quiet, high-end editorial feel. The overall result presents a light, breathable background, traditional window framing, soft colored light and shadow, airbrush grain, layered real-and-illusory shadows, and generous whitespace, together forming an Eastern modern visual language. Whether the subject is a person, animal, plant, architecture, object, or natural landscape, it must clearly echo the upper photograph while possessing a gentle, tranquil, translucent, poetic, healing, and refined artistic quality. Avoid cartoonishness, cheap filters, heavy dark tones, cluttered decoration, and template-like effects.