ASCII-Halbton-Reisecollage-Poster

Please create each travel photo I upload as an independent "ASCII HALFTONE TRAVEL COLLAGE" high-contrast poster. Do not combine multiple images - output each photo separately. Use a vertical composition made of two zones, upper and lower. The two zones should be close to a 1:1 ratio, separated by a clear, straight horizontal boundary. [UPPER ZONE | ORIGINAL PHOTOGRAPHY] Keep the original photo in the upper zone. Accurately preserve the identity of people, architectural structures, vehicle forms, natural landscapes, spatial relationships, camera angle, light direction, and color atmosphere in the original image. Do not redraw, replace, stretch, or distort the main subjects. Apply only subtle, high-end photographic color grading so the photo feels like an independent magazine, travel publication, or exhibition print. To fit the layout, you may naturally extend sky, road, wall, or environmental background, but you must not alter the original subjects. [LOWER ZONE | CHARACTER HALFTONE COLLAGE] Extract one most recognizable core visual subject from the photo, such as: A landmark building, architectural detail, arch, colonnade, vehicle, sculpture, boat, human pose, street object, or natural landscape silhouette. Do not replicate the original composition in full, and do not apply an ASCII filter directly over the whole photo. Recrop, enlarge, shrink, or change local proportions of the subject, then reorganize the image using torn photo fragments, black photocopy halftone dots, monospaced ASCII characters, overprint lines, registration marks, and paper whitespace. Let some areas of the subject retain real photographic texture, while other areas gradually transform into light-and-dark density built from these characters: . : / | + = # @ Characters should follow the subject's volume, shading, contour, or direction of motion, so they truly participate in shaping the form rather than acting as meaningless code background. Add black halftone dots of varying sizes, photocopy grain, localized ink loss, slight misregistration, torn white paper fibers, and a few measurement lines. You may include one restrained calibration red line, block, or registration mark, but do not use red over large areas. Keep about 25% - 40% of the lower zone as continuous off-white or warm gray paper whitespace, so the photo fragments, character areas, and halftone dots can breathe. Extract the color palette from the original photo. Keep the colors most representative of the place or subject, but reduce overall saturation and unify them with warm gray paper tone, black ink, and a small amount of calibration red. [TEXT SYSTEM] Based on the location, subject, or on-site condition of the photo, distill: 1. A short, clear English main title; 2. An archive number, e.g. "REC. STUDY 01"; 3. A short English observation sentence. Text must carry real meaning and remain clearly readable - no gibberish or meaningless code. The main title uses a more prominent monospaced typewriter font; the number and observation text can be smaller, but must not shrink into unreadable decoration. Text should sit naturally along whitespace, torn paper edges, halftone structures, or calibration lines, as if part of the image. The overall mood should feel like an independent publication, experimental photobook, analog photocopy archive, and travel observation record: calm, gritty, restrained, intelligent, while keeping the real warmth of the travel site. Avoid black terminal interfaces, computer code windows, cyberpunk neon, full-screen characters, whole-image ASCII filters, random logos, gibberish, text too small to read, pure black backgrounds, templated layouts, and cheap glitch effects.