Wong Kar-wai Style Rainy Phone Booth Portrait

Ultra-realistic cinematic urban night portrait in the style of Wong Kar-wai, using the provided male reference photo. Preserve the exact identity of the man from the reference image - including his facial features, bone structure, skin texture, eye shape, nose, lips, and overall likeness with extremely high accuracy. Do not beautify, stylize, or alter his face in any way. A young man (identical to the reference photo) stands inside a glass public phone booth at night, partially framed by rain-soaked glass panels. He is wearing jacket picture 2 reference adding to the moody and introspective atmosphere. He holds a green public payphone receiver loosely near his ear, almost absent-minded, as if the call has gone quiet. Only his upper torso and face are visible - not full body. Heavy rain falls outside the booth. Water droplets, streaks, and condensation cover the glass, creating layered distortion. Some parts of his face are seen clearly, others are warped or softened by water running down the glass. Neon city lights smear, stretch, and bleed through the wet glass surface, breaking the image into fragments. His posture is still and withdrawn. Shoulders slightly lowered. Head subtly tilted. Expression is deeply introspective - calm, distant, emotionally closed, with a very subtle, faint smile (slight smirk) that feels ambiguous and restrained. His eyes look past the glass, unfocused, not meeting the camera. The background is a dense East Asian city street at night. Japanese neon signage and traffic lights appear only as blurred color fields behind the rain. Passing cars create soft, horizontal light streaks. Pedestrians dissolve into ghost-like motion behind the glass curtain. Lighting is mixed artificial city light filtered through rain and glass. Dominant cool tones - teal, cyan, deep green. Warm reds and amber neon appear diffused and broken, never sharp. Light wraps softly around his facial contours through reflections rather than direct illumination. Camera at eye level, close distance. Medium close-up framing. Slightly off-center composition. Shallow depth of field with selective focus shifting between his face, raindrops, and reflections. Mood is quiet, melancholic, and intimate. A feeling of emotional isolation while surrounded by movement. Time feels suspended. Wong Kar-wai visual language - romantic urban loneliness, memory-like, restrained. Filmic texture, subtle grain. Soft contrast, lifted blacks. 35mm cinematic lens aesthetic. Aspect ratio 4:5.