Ultra-photorealistic documentary-style video prompt for Seedance 2.5

Create a 15-second ultra-photorealistic documentary-style video showing four completely different ordinary moments from the same young Japanese woman's day in Tokyo. FORMAT: Native vertical 3:4 video. Compose every scene specifically for a 3:4 frame. Keep faces, hands, important objects, and relevant surroundings naturally visible. Never change orientation or aspect ratio. CORE STYLE: The footage must look like genuine everyday footage casually recorded by a friend, not a travel video, commercial, cinematic film, or polished AI video. Authentic early-2000s MiniDV consumer camcorder look: natural handheld shake, imperfect framing, occasional autofocus hunting, small exposure changes, natural motion blur, subtle rolling shutter, soft CCD highlights, slightly faded consumer colors, very subtle analog compression. No stabilization, cinematic camera movement, slow motion, dramatic zooms, HDR, modern color grading, or artificial depth of field. MAIN SUBJECT: A Japanese woman, 22–24 years old, natural appearance, medium-length layered black hair loosely tied with a few face-framing strands. She wears a faded sage-green oversized T-shirt, loose cream trousers, simple white canvas sneakers, and a small brown shoulder bag. Natural skin texture and minimal makeup. Maintain the exact same face, hairstyle, clothing, body proportions, and accessories throughout all scenes. All scenes take place on the same ordinary weekday in Tokyo, Japan, Spring 2026. IMPORTANT: The four scenes must be visually and contextually different. Use simple natural hard cuts between them, as if the camera was stopped and started again later. SCENE 1 - APARTMENT BALCONY 00:00–00:03 Morning. She hangs laundry on a small apartment balcony. A sudden breeze catches a bedsheet and briefly blows it toward the camera. An older Japanese woman on the neighboring balcony notices and casually says: 「風、強いね。」 She smiles and replies: 「ほんとですね。」 The bedsheet briefly blocks part of the camera before she pulls it back. CUT. SCENE 2 - SMALL SUPERMARKET 00:03–00:07 Late morning. She stands at a self-checkout with a small shopping basket. She scans a bottle of tea and the machine suddenly gives a warning beep. She looks confused. A nearby employee walks over and says: 「大夫です。」 She replies: 「すみません。」 The employee fixes the problem. She gives a small embarrassed smile. The camera moves slightly closer, reacting naturally. CUT. SCENE 3 - APARTMENT ENTRANCE 00:07–00:11 Afternoon. She approaches a small apartment entrance. A Japanese delivery worker is checking several packages and appears unsure about the apartment number. She notices and points toward another entrance: 「あっ、そっちです。」 The delivery worker realizes his mistake: 「あ、ありがとうございます。」 She gives a quick nod and continues walking. Neither person looks at the camera. CUT. SCENE 4 - SMALL NEIGHBORHOOD PARK 00:11–00:15 Late afternoon. She sits on a bench checking her phone. A child's small red balloon slips away and drifts toward the park entrance. The child runs after it. She quickly stands and catches the balloon string. She hands it back. The child says: 「ありがとう。」 She smiles: 「どういたしまして。」 She sits back down. The camera is still trying to frame the moment when the recording suddenly cuts to black with a tiny MiniDV glitch. AUDIO: Authentic synchronized environmental sound only. Balcony wind and fabric. Supermarket ambience and scanner beep. Footsteps and package sounds. Park ambience, children in the distance, leaves and wind. Natural Japanese voices. No music. No narration. No cinematic sound effects. REALISM: Characters must behave naturally rather than performing for the camera. No exaggerated reactions. No constant smiling. No perfect choreography. No perfectly timed movements. People should continue their own activities while speaking. The camera operator should sometimes react slightly late and occasionally frame things imperfectly. AVOID: Railway crossings, vending machines, cherry blossoms, shrines, temples, cats, ramen, sushi, neon Tokyo, famous landmarks, tourist streets, Mount Fuji, convenience-store montages, dramatic train shots, exaggerated bowing, or “cute Japan” stereotypes. FINAL GOAL: Do not make a video ABOUT Japan. Make it feel like four tiny moments from someone's REAL day in Japan. The footage should feel spontaneous, mundane, warm, slightly unpredictable, and genuinely captured rather than designed. Most important: CAUGHT, NOT CREATED.