Tiny figure lying in a giant plate of rice and fish

Use my uploaded portrait/selfie as the ONLY identity and facial reference. Preserve my recognizable facial identity and appearance naturally. Vertical top-down food-photography image with an absurdist scale premise: a woman with the face from the reference photo, at dinner-guest scale, lies on her back inside a large white ceramic plate heaped with steamed white rice, cradling a whole grilled fish across her chest with both arms as if hugging a plush toy, looking straight up into the camera with a completely neutral serious expression, that seriousness is what makes the joke work. Wardrobe (womenswear): a red-and-cream abstract-print bomber jacket with a spread collar, dropped shoulders and elasticated cuffs, worn open; a plain cream oversized t-shirt underneath; layered silver bead chain necklaces; a red leather belt with a squared silver buckle; extremely wide-leg knee-length cow-print shorts in brown and cream; tall white ribbed crew socks; honey-tan lace-up work boots; and an embroidered patterned trucker cap worn straight. Camera: pure overhead, lens perpendicular to the tabletop, medium focal length with minimal distortion visible only at the plate rim which reads slightly elliptical rather than perfectly circular, that 90 degree angle flattens the scene so the human figure and the food occupy the same visual plane without perspective conflict, which is what makes the composite possible. Composition: the white plate is a circle containing everything and filling almost the whole frame; the figure laid along a soft diagonal from upper center down to lower left, the fish crossing it on the opposite diagonal to form an X; a spoon at the left and a fork at the right acting as symmetrical vertical brackets; splashed sauce droplets scattered around breaking the symmetry and adding movement. Lighting: a large diffused source from the upper left, window or wide softbox, producing soft short shadows thrown by the fish onto the rice toward the right, open fill on the right side of the face, and elongated speculars along the fish skin, the cutlery metal and the silver chains; no hard shadows, no backlight, standard culinary lighting built to describe texture. Texture and detail: rice defined grain by grain, the fish showing cracked golden skin with an oil sheen, sauce with real viscosity in droplets of varying size and pinpoint reflections, crisp fried onion strands keeping their crunch, plus broccoli, sliced carrot, green beans and red chilli scattered through the rice and a spoonful of red chilli paste at the left. Include convincing contact shadows and a few grains of rice overlapping the edges of her sleeves and shorts so the figure sits inside the food rather than on top of it. Surroundings on the wooden table: two glasses of iced dark soda at the top corners, a bowl of apples and mango at the upper left, a lime wedge at the lower right, and warm orange-brown wood grain visible around the plate. Grade: warm and saturated, amber in the sauce, red pushed hard in the jacket and belt, orange-brown in the wood; medium contrast, rice and plate whites controlled without clipping, lifted blacks, moderate added sharpening and fine grain. Palette: white rice and plate dominating absolutely and rhyming with the cream tee and socks, amber and brown of the sauce, fish, cow-print shorts and boots forming the warm central mass, saturated red jacket and belt as the accent placed at the exact center, silver cutlery and chains as the metallic notes, and scattered greens and oranges from the vegetables as points of colour.