Surreal portrait with a cable-bundle neck replacing the head's connection

Surreal digital photomanipulation portrait, vertical format, bright natural indoor lighting. An adult woman framed from the waist up, centered, wearing a plain purple crew-neck t-shirt and two black leather cord bracelets. Both arms raised symmetrically, both hands pressing firmly against the sides of her face, fingers spread across her cheeks and temples, visibly deforming the skin. Expression of extreme tension and frustration: eyes squeezed shut, mouth open baring clenched teeth in a grimace, eyebrows furrowed. Main effect, cable neck: her head is detached from her torso and the entire neck is replaced by a bundle of 15-25 thin multicolored electrical wires, green, blue, purple, magenta, turquoise, gray and black insulation. The wires emerge from the clean underside of her jaw and chin, curving loosely downward with natural slack, crossing over each other, and disappearing into the collar of her t-shirt. The junction where skin meets wire is clean and mechanical, no blood, no wound, no gore, reading as machine not injury. Background: heavily blurred bright domestic interior, white wall, overexposed and luminous with strong bokeh. Lighting: soft diffused natural window light, generous ambient fill, almost no harsh shadows. Shot on 70-85mm lens at chest height, wide aperture f/1.8 shallow depth of field, sharp focus on face and hands. Conceptual editorial photomanipulation, burnout and system overload metaphor, hyper-realistic, 8k.