Surreal headless-body concept photo holding two heads with opposite moods

Surreal conceptual studio photograph, vertical 4:5, clean bright studio lighting, hyper-realistic photomanipulation. Subject: the body of a woman framed from the hips up, centered, dressed as a corporate executive: a well-tailored charcoal-gray blazer over a crisp white blouse, a delicate silver necklace, matching tailored trousers. Confident upright posture, shoulders squared, chest open. Main effect, headless body: the body is completely headless. Above the blouse collar there is nothing, no head, no neck, no stump. The collar simply ends as an empty opening, clean and dry, reading as surreal and conceptual rather than violent. Absolutely no wound, no blood, no gore. The two heads: the woman holds her own head in each hand, both heads identical to each other, differing only in expression. Left hand: the head rests cheek-down in her open palm, expression of deadpan boredom and resigned exasperation. Right hand: the head rests in her open palm, expression of bright genuine happiness, wide open smile showing teeth, eyes crinkled and warm. The two heads are at the same height, creating a symmetrical composition of opposites, boredom versus joy, flanking the empty collar. Background: flat plain white-to-light-gray studio wall, no texture, minimal contact shadow. Lighting: soft, very diffused studio light from the upper front, minimal soft shadows. Color palette: cool corporate neutrals, charcoal-gray blazer, white blouse, soft metallic accents. Restrained, desaturated, editorial. Shot on 50-70mm lens at chest height, deep depth of field, contemporary conceptual art photography aesthetic, 8k.