Seedance 2.5 Cinematic God of War Battle Prompt

SEEDANCE 2.5 Prompt: CINEMATIC SETUP 30-second single continuous action sequence, 16:9. NO MUSIC - diegetic sound only. Stylized 2D/2.5D animated film, hand-painted cartoon look, strong clean silhouettes, expressive character design, simplified but detailed shapes, painterly shading, cinematic lighting, slightly exaggerated proportions, rich textures, epic fantasy atmosphere, polished feature-animation quality. Savage, brutal, heavyweight combat choreography with real weight and impact. Every cut and impact is rendered as thick bright crimson paint: painted gashes on skin, dripping streaks, splashes on sand and armor, brush-stroke style. CHARACTERS ARES: <img1> Greek god of war. Dark curly hair, short dark beard, scar on forehead, fierce scowl. Engraved bronze muscle cuirass, lion-head medallions on shoulder, belt and greaves, leather strip war skirt, torn crimson cape, sandals. Long bronze-tipped spear with red-wrapped grip, large round bronze shield with red lambda and lion head. TYR: <img2> Norse god of war. Long blond hair with two front braids, trimmed blond beard, blue eyes, blue war-paint stripe over left eye. Grey fur mantle, navy blue cloak with silver knotwork, dark tunic, leather belts with valknut pendant, steel vambrace, fur-trimmed leather boots. Knotwork-engraved longsword, round navy wooden shield with steel boss. Keep both faces, outfits, colors, weapons and proportions identical to the references in every frame. No weapon swaps except where described, no extra fighters. DAMAGE CONTINUITY (critical) Both fighters start clean and accumulate visible battle damage. Every wound, once received, stays clearly visible in all following shots and never heals, fades or disappears. Wounds are shown as open painted crimson gashes with paint running down skin and armor, growing messier as the fight goes on. Armor gets dented, cloth gets torn, sweat and dust build up. By the end both gods look battered and drenched in crimson paint. ARES wound list in order: 1) diagonal slash across left shoulder and upper arm, 2) cut above right eyebrow running down the cheek, 3) long gash across right thigh. TYR wound list in order: 1) deep rake across left ribs, tunic torn open, 2) split lip and crimson running into the beard, 3) slash across right forearm, 4) cut across the chest, fur mantle torn and stained. LOCATION <img3>: colossal marble coliseum of the gods above the clouds, giant statues of Olympian gods, crimson banners with golden sun emblems, burning braziers, golden sunburst mosaic at the center of the sand floor, temple of Olympus and waterfalls behind. Tens of thousands of spectators packed in the stands, late golden sunlight, drifting dust and embers. TIMELINE 0–4s: Fast circular orbit shot sweeping around the arena over the heads of the roaring crowd, fists in the air, banners shaking. Half the stands chant "LET'S GO ARES!", the other half answers "LET'S GO TYR!". The orbit spirals down toward the golden mosaic where Ares and Tyr stand face to face, ten steps apart, motionless, unharmed. 4–6s: Tight alternating close-ups: Ares' scowl, Tyr's cold blue stare. Ares slams spear against shield. Both charge at once, sand exploding under their feet. 6–10s: First clash. Ares drives a lightning spear thrust; Tyr parries it aside and ripostes with a horizontal slash; Ares blocks on the bronze shield, sparks bursting. Rapid exchange: thrust, parry, slash, block, shield against shield, shockwave of dust. Ground-level tracking camera. 10–14s: Tyr takes the initiative. Shield bash to Ares' chest, then a spinning slash opens a diagonal crimson gash across Ares' left shoulder - paint sprays across the frame and runs down his arm over the bronze bracer. Close-up on the fresh wound dripping. Ares touches it, looks at his red fingers, grins savagely. 14–18s: Ares answers. Low spear sweep, front kick denting the wooden shield, then the spear tip rakes Tyr's left ribs - tunic rips open, a wide crimson gash, paint splashing on the sand. Tyr grunts, traps the spear shaft under his arm and snaps it in two with a sword blow; the backswing cuts Ares above the right eyebrow, crimson running down his cheek into his beard. Whip-pan on the break. 18–22s: Savage close quarters, both visibly wounded and dripping. Ares fights with the broken spear half and the rim of his shield: the shield rim splits Tyr's lip, the spear half slashes Tyr's right forearm. Tyr's sword carves a long gash across Ares' right thigh; Tyr's shield splinters apart. Forehead clash. Blades lock, faces inches apart - extreme close-up: crimson streaked faces, paint dripping from chins, teeth bared, both roaring; the pressure cracks the golden mosaic, red drops falling onto the gold. Shaky close camera. 22–27s: Finale. Ares slashes across Tyr's chest, tearing the fur mantle, crimson arc in the air. Tyr roars and brings down a massive two-handed overhead strike. Ares meets it with a perfect shield parry - slow motion, ring of sparks, the longsword torn from Tyr's hands and spinning away. Ares leaps high, torn cape flaring, crimson trailing from his wounds, and comes down with the full weight of the bronze shield, driving Tyr into the ground. The mosaic shatters into a crater, huge burst of dust, stone shards and crimson paint in slow motion. 27–30s: Dust clears. Tyr lies defeated in the crater, all four wounds visible, exhausted. Ares stands over him, one foot on the broken Norse shield, chest heaving, shoulder, face and thigh wounds clearly visible and running with crimson paint, dented paint-smeared shield raised to the sky, unleashing a war cry. Low-angle hero shot pulling back as the entire coliseum erupts. Hold on Ares. End. SFX NO MUSIC. NO SCORE. NO SOUNDTRACK. NO BACKGROUND MUSIC OF ANY KIND. Only raw diegetic sound: thunderous crowd chants "LET'S GO ARES!" / "LET'S GO TYR!", heavy bronze and steel impacts, wet slicing hits, wood splintering, stone cracking, grunts of pain and war cries, deep physical thud on the final slam, crowd explosion at the end. QUALITY ANCHOR Consistent character design throughout, persistent wounds and damage in every shot, fluid feature-quality animation, clear readable choreography, strong silhouettes, real physical weight, no morphing, no wounds disappearing, no clean skin after being hit, no extra limbs, no duplicated characters, no text or subtitles on screen, no style shift to photorealism. NO MUSIC