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Seedance 2.5: Alien Council Battle Short Film Prompt

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Kōda
Contributed byKōdaXSource

Aug 12, 2026

Seedance 2.5: Alien Council Battle Short Film Prompt A comprehensive, scene-by-scene video generation prompt for a sci-fi short film, detailing character design, camera work, dialogue, and action sequences for Seedance 2.5.

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A realistic sci-fi fantasy short film. It opens with an out-of-control alien summoning ritual: Shade is forcibly pulled into an underground council cavern the moment they fall from a tall building, then bonds with a living weapon creature to fight four completely different alien councilors at super speed. @[Image 1] Defines Shade's only identity, complete appearance, clothing, and body proportions throughout the film; ignore the setting image's background, text, and repeated poses. @[Image 2] Defines the complete appearance of the "Hanging-Tentacle Councilor"; fix its rounded head without horns, huge orange eyes, and two downward-hanging fleshy tentacles, ignore the version and repeated angles. @[Image 3] Defines the complete appearance of the "Coral-Crown Councilor"; fix its white-blue tall body, red forked coral crown, and four curved back appendages, ignore the version and repeated angles. @[Image 4] Defines the complete appearance of the "Fork-Crown Councilor"; fix its huge U-shaped multi-hole head crown, orange eyes, extremely long neck, and long tail, ignore the version and repeated angles. @[Image 5] Defines the complete appearance of the "Long-Ear Councilor"; fix its two straight long ears, narrow face with green eyes, and long ribbon-like tentacles behind the shoulders, ignore the version and repeated angles. @[Image 6] Defines the complete appearance of the "Little Beast" and defines the biological material source of its living weapon sword form; preserve the recognizable continuity of the orange eye, coral-colored skin plates, white petal-like scales, and tentacles, ignore the version and repeated angles. The final image is a high-quality live-action film, not a concept art or 2D animation. Use real wet-rock cave sets combined with seamless creature VFX, realistic skin micro-texture, translucent tissue, cloth inertia, weight, collision, air resistance, and gravity. The council chamber is a huge cavern soaring into darkness, merging natural rock walls with rib-like alien structures; the central circular summoning platform is split by cold cyan ambient light and coral-red ritual light, with water vapor, dust, and deep volumetric fog creating depth. The four councilors are four continuously existing independent individuals. With the altar entrance as the 12 o'clock direction, the Hanging-Tentacle Councilor is fixed at 10 o'clock, the Coral-Crown Councilor at 2 o'clock, the Fork-Crown Councilor at 5 o'clock, and the Long-Ear Councilor at 8 o'clock, with Shade at the center. Maintain these positions before the fight. Every wide shot clearly reads four different head silhouettes, heights, neck lengths, back appendages, and tails; each one's face, ears, crown, colors, and dialogue always belong to the original character. Throughout the film, there is only one Shade, one Little Beast, and four councilors; the Little Beast and the sword are the same body, never appearing at the same time. The camera uses clear multi-position dynamic storytelling: environment and action use 24-35mm with strong depth and parallax, dialogue and transformation use naturally compressed 50-85mm close-ups; first establish the circular geography, then track Shade clockwise along the action axis. Cut only when the speaker changes, real contact occurs, movement direction changes, or an irreversible result appears. Fight shots stay close to the subject, tracking through foreground appendages and always preserving the next target's position. All dialogue is displayed as English subtitles centered at the bottom; on-screen text is limited to these English subtitles, no Chinese subtitles, and no alien language spelling displayed in the frame. Shade and the Little Beast speak natural English with accurate lip sync. The four councilors only speak the same urgent, low, guttural alien language with clicking sounds; no English appears in the audible dialogue of the four councilors, and their English meaning is only presented through subtitles. 0-2 seconds: Start from the first frame where the summoning has entered a dangerous peak. A high-angle wide shot rapidly descends; four different councilors drive the same ritual from their fixed positions, their body appendages moving differently from each other; ground symbols deliver four streams of light to the center. An energy pillar tears space, throwing Shade, who still has downward momentum, to the center; Shade lands heavily on one knee and palm, clothing and hair settling afterward, a shockwave spreads in a ring, and the portal closes. 2-8 seconds: A handheld medium close-up follows Shade getting up, gaze sweeping over the strange creatures, breathing shallow and rapid, shoulders tense. Shade says in English: {Where am I? How did I get here?}, subtitles [Where am I? How did I get here?]. Ritual afterglow flashes white in Shade's pupils, cutting on the flash to a night rooftop. The flashback uses three causally continuous shots: a low wide angle clearly shows the distance between buildings and the run-up; the shoe sole steps on a slippery edge and loses grip, the jump clearly insufficient; fingers scrape across the opposite concrete ledge but miss, the body is rapidly pulled down by real gravity, city lights create strong vertical parallax, hair and fabric are lifted by the updraft, the camera dives with Shade. Shade's English inner monologue: {The last thing I remember is missing that jump. Is this hell?}, subtitles same. Dark buildings fill the frame from above, hard cutting back to the cave at 8 seconds in the same downward motion direction. 8-14 seconds: Shade still stands at the ring's center. Cut sequentially to four clear close-ups, each time only the current speaker's mouth moves, recognition anchors stay correct, edge backgrounds retain their original positions. The Hanging-Tentacle Councilor emits alien language, subtitles [Another scrawny one.]. The Coral-Crown Councilor angrily retorts, subtitles [Your fault!]. The Fork-Crown Councilor sharply interjects, subtitles [I told you we needed to change the summoning method.]. The Long-Ear Councilor calms the argument, subtitles [Stop arguing. We have to make do with what we've got.]. All audible dialogue is alien language, not reading the English subtitles; at the last line, pull back to a central wide shot where Shade and the four different silhouettes are clearly visible at the same time. 14-18 seconds: Keep the group shot, Shade says quietly in English: {What are they talking about?}, subtitles same. A wisp of residual summoning energy condenses layer by layer on Shade's shoulder into the same Little Beast. The Little Beast says urgently in English close to the ear: {No time. They'll kill you. Kill them first. Keep up.}, subtitles same, then leaps in front of Shade. 18-22 seconds: One unbroken close-up fully shows all transformation intermediate states, with stable lighting making silhouette and material changes always readable. The Little Beast's tail first extends and hardens into a curved blade back; the translucent horny layer on the belly unfolds along its full length into a thin, sharp single edge; coral-colored skin plates bite together piece by piece, white petal-like scales flatten to form the spine and guard; the torso narrows into a living blade core, four limbs fold and lock into the handle, tentacles braid into the grip; one orange eye remains at the guard and blinks. The entire change maintains mass conservation, no parts appear out of thin air. The final form is about one meter long, slender, narrow-bladed, single-edged, with a slight curve, a living warrior sword, not a wide-bladed metal greatsword. Shade grabs the handle in mid-air, living muscle tendrils wrap around the wrist and forearm, merging seamlessly with the sleeve, the eye on the guard turns to the first attacker. 22-28 seconds: The four councilors simultaneously attack the center: the Hanging-Tentacle Councilor grabs from the left with tentacles and sharp claws; the Coral-Crown Councilor opens four back appendages into a closing cage; the Fork-Crown Councilor sweeps a long tail to cut off retreat; the Long-Ear Councilor crosses two shoulder tentacles to lock the top. Shade erupts at nearly invisible super speed along a clockwise path, the target order fixed as Hanging-Tentacle, Coral-Crown, Fork-Crown, Long-Ear, with surviving councilors continuously chasing, blocking, and adjusting attacks. Between targets are speed bursts with rainbow afterimages, air compression waves, debris suction, and strong parallax; only the four moments of blade contact with the neck return to normal real-time speed, clearly seeing the blade enter, the head completely separate, a small amount of dark alien fluid, and the body falling according to its original momentum, then immediately re-accelerating. The first strike passes beneath the tentacle grab and cuts diagonally upward; the second strike enters the not-yet-closed back-appendage cage, exposing the neck with a reverse-grip horizontal cut; the third strike leaps over the sweeping long tail, using its rotational momentum to circle to the outside of the long neck and complete a horizontal cut; the fourth strike uses the living blade guard to deflect the crossed shoulder tentacles, uses the afterimage to bait a wrong direction, then appears behind the Long-Ear Councilor to complete the finishing cut. The camera first briefly looks down to confirm the ring, then dives into a low-angle close tracking shot, using whip pans to connect extreme-speed displacements, stabilizing into readable side close-ups at each contact; four heads of different silhouettes fall in sequence, bodies and heads remain in place. 28-30 seconds: Shade returns to the exact center of the ring along the visible rainbow trail and decelerates into view, four headless bodies and four heads still at their respective falling positions. The living sword releases from the forearm, rapidly reverse-transforming in close-up: muscle tendrils recede, blade skin plates soften and separate, tail shortens, four limbs and head unfold, the same Little Beast falls back onto Shade's shoulder. Music and speed roar stop abruptly after the last contact, leaving only cave echoes and Shade's breathing. Shade looks at the Little Beast and asks in English: {Now what?}, subtitles [Now what?]; cut to black immediately before the Little Beast answers.

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