Foto de Viagem para Pôster de Cartão Postal

Translate each travel photo I upload into a separate, premium landscape postcard front-and-back editorial poster. No multi-photo collages - each photo is output individually. Use a 3:4 vertical composition overall, and clearly retain the same original travel photo as comparison evidence. The upper section or background occupies roughly 45%–55% of the entire piece, faithfully presenting the original photo while accurately preserving the identity, quantity, direction, proportion, spatial position, viewing angle, natural light and shadow, real texture, and original color atmosphere of mountains, coastlines, lakes, buildings, boats, roads, plants, people, or animals. Apply only subtle premium travel photography color grading and an extremely thin layer of film grain. Do not turn the photo into an illustration, do not replace the sky, add or remove subjects, move scenery, alter terrain, or reshape architecture. On the lower section's warm white, light ivory, or quiet light-toned paper extracted from the photo, display two same-size, physically tangible postcards side by side: one showing the front, one showing the back. Both cards keep a standard horizontal postcard ratio, slightly offset or angled, but must not heavily overlap each other. Clearly convey paper thickness, crisp edges, subtle wear, natural shadows, and uncoated paper fiber. The original photo cannot be hidden only inside the front card - the real photography area above must still have substantial surface area and remain clearly recognizable. The front postcard is cropped from the original photo, selecting the most representative scenery, preserving the subject's most recognizable silhouette, terrain relationships, weather, color, and spatial direction - but do not shrink the full photo proportionally and stuff it into the card. You may enlarge one visual anchor, remove cluttered background, and make the front feel more like a carefully chosen travel landscape print. Add a 1–3 word English location or scene title, plus restrained fields such as "SCENIC NOTE 01" or "POSTCARD STUDY". The back postcard uses a clear center line, address lines, a stamp area, and moderate white space. The stamp is derived from the subject, silhouette, or accent color within the same photo - keep only one stamp; the postmark stays restrained and does not fabricate complex postal information. In the writing area, place an original travel observation of no more than two sentences, describing only weather, light, color, boats, mountains, lake surface, villages, or spatial feeling that is truly visible in the photo. All text must be determined word-for-word based on the photo, with clear, readable sizing. Paper is primarily warm white or light ivory; ink colors are drawn from the photo's deep blue, gray-green, charcoal gray, or brown; the stamp may retain one accent color from the original photo. The two cards occupy roughly 45%–65% of the lower area, with at least 30% continuous low-information negative space around them. Titles and short phrases use gentle serif, handwritten script, or postal typeface, with slight paper-tear edges, broken ink, and old printing imperfections, so the text truly belongs to the postcard. Between the original photo and the postcard display area, there must be a clear, restrained hierarchy. If using a top-bottom structure, the boundary must be crisp - no blurring, no feathering, no blending into a single image. Overall, reference collectible travel postcards, independent publications, photographic archives, and modern editorial design, presenting a quiet, sincere, restrained visual character with paper warmth and an unfinished story. Avoid multi-photo collages, nine-grid layouts, missing photos, original images used only as tiny decoration, duplicate cards, excessive stamps, complex stickers, fictional cities, long gibberish text, author names, account handles, brands, QR codes, logos, frame mockups, hand-held displays, watermarks, and cheap vintage templates.